자료유형 | E-Book |
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개인저자 | Iddon, Martin, 1975-, author. Thomas, Philip, 1972-, author. |
서명/저자사항 | John Cage's Concert for piano and orchestra /Martin Iddon, Philip Thomas.[electronic resource] |
발행사항 | New York, NY : Oxford University Press, [2020] |
형태사항 | 1 online resource. |
총서사항 | Studies in musical genesis, structure, and interpretation |
소장본 주기 | Master record variable field(s) change: 050 |
ISBN | 9780190938482 019093848X 9780190938505 0190938501 9780190938499 0190938498 |
서지주기 | Includes bibliographical references and index. |
내용주기 | Situating the Concert for piano and orchestra -- Sketching the Concert for piano and orchestra -- Presenting the Concert for piano and orchestra -- Performing the Concert for piano and orchestra -- Interpreting the Concert for piano and orchestra -- Interpreting the Solo for piano -- Understanding the Concert for piano and orchestra. |
요약 | "The book is a comprehensive examination of John Cage's seminal Concert for Piano and Orchestra. It places the piece into its many contexts, examining its relationship with Cage's compositional practice of indeterminacy more generally, the importance of Cage's teacher, Arnold Schoenberg, on the development of his structural thought, and the impact of Cage's (mis)understanding of jazz. It discusses, on the basis of Cage's sketches and manuscripts, the compositional process at play in the piece. It details the circumstances of the piece's early performances-often described as catastrophes-its recording and promotion, and the part it played in Cage's (successful) hunt for a publisher. It examines in detail the various ways in which Cage's pianist of choice, David Tudor, approached the piece, differing according to whether it was to be performed with an orchestra, alongside Cage delivering the lecture, 'Indeterminacy', or as a piano solo to accompany Merce Cunningham's choreography Antic Meet. It demonstrates the ways in which, despite indeterminacy, the instrumental parts of the piece are amenable to analytical interpretation, especially through a method which exposes the way in which those parts form a sort of network of statistical commonality and difference, analysing, too, the pianist's part, the Solo for Piano, on a similar basis, discussing throughout the practical consequences of Cage's notations for a performer. It shows the way in which the piece played a central role, first, in the construction of who Cage was and what sort of composer he was within the new musical world but, second, how it came to be an important example for professional philosophers in discussing what the limits of the musical work are"-- |
주제명(개인명) | Cage, John. -- Concert. |
주제명(통일서명) | Concert (Cage, John)fast |
언어 | 영어 |
기타형태 저록 | Print version:Iddon, Martin, 1975-John Cage's Concert for piano and orchestraNew York : Oxford University Press, 2020.9780190938475 |
대출바로가기 | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2440723 |
인쇄
No. | 등록번호 | 청구기호 | 소장처 | 도서상태 | 반납예정일 | 예약 | 서비스 | 매체정보 |
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1 | WE00019172 | 784.2/62186 | 가야대학교/전자책서버(컴퓨터서버)/ | 대출가능 |