MARC보기
LDR04375cmm u2200565 i 4500
001000000320275
003OCoLC
00520230613104244
006m d
007cr cnu---unuuu
008191018s2020 nyu ob 001 0 eng
010 ▼a 2019047795
020 ▼a 9780190938482 ▼q electronic book
020 ▼a 019093848X ▼q electronic book
020 ▼a 9780190938505 ▼q electronic book
020 ▼a 0190938501 ▼q electronic book
020 ▼a 9780190938499 ▼q electronic book
020 ▼a 0190938498 ▼q electronic book
020 ▼z 9780190938475 ▼q hardcover
035 ▼a 2440723 ▼b (N$T)
035 ▼a (OCoLC)1125308192
040 ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d OCLCO ▼d OCLCF ▼d EBLCP ▼d OCLCQ ▼d N$T ▼d UKOUP ▼d YDX ▼d 248032
042 ▼a pcc
049 ▼a MAIN
05004 ▼a ML410.C24 ▼b I33 2020
08200 ▼a 784.2/62186 ▼2 23
1001 ▼a Iddon, Martin, ▼d 1975-, ▼e author.
24510 ▼a John Cage's Concert for piano and orchestra / ▼c Martin Iddon, Philip Thomas. ▼h [electronic resource]
260 ▼a New York, NY : ▼b Oxford University Press, ▼c [2020]
300 ▼a 1 online resource.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
4901 ▼a Studies in musical genesis, structure, and interpretation
504 ▼a Includes bibliographical references and index.
5050 ▼a Situating the Concert for piano and orchestra -- Sketching the Concert for piano and orchestra -- Presenting the Concert for piano and orchestra -- Performing the Concert for piano and orchestra -- Interpreting the Concert for piano and orchestra -- Interpreting the Solo for piano -- Understanding the Concert for piano and orchestra.
520 ▼a "The book is a comprehensive examination of John Cage's seminal Concert for Piano and Orchestra. It places the piece into its many contexts, examining its relationship with Cage's compositional practice of indeterminacy more generally, the importance of Cage's teacher, Arnold Schoenberg, on the development of his structural thought, and the impact of Cage's (mis)understanding of jazz. It discusses, on the basis of Cage's sketches and manuscripts, the compositional process at play in the piece. It details the circumstances of the piece's early performances-often described as catastrophes-its recording and promotion, and the part it played in Cage's (successful) hunt for a publisher. It examines in detail the various ways in which Cage's pianist of choice, David Tudor, approached the piece, differing according to whether it was to be performed with an orchestra, alongside Cage delivering the lecture, 'Indeterminacy', or as a piano solo to accompany Merce Cunningham's choreography Antic Meet. It demonstrates the ways in which, despite indeterminacy, the instrumental parts of the piece are amenable to analytical interpretation, especially through a method which exposes the way in which those parts form a sort of network of statistical commonality and difference, analysing, too, the pianist's part, the Solo for Piano, on a similar basis, discussing throughout the practical consequences of Cage's notations for a performer. It shows the way in which the piece played a central role, first, in the construction of who Cage was and what sort of composer he was within the new musical world but, second, how it came to be an important example for professional philosophers in discussing what the limits of the musical work are"-- ▼c Provided by publisher.
588 ▼a Description based on online resource; title from digital title page (viewed on June 24, 2020).
590 ▼a Master record variable field(s) change: 050
60010 ▼a Cage, John. ▼t Concert.
63007 ▼a Concert (Cage, John) ▼2 fast ▼0 (OCoLC)fst01392252
655 4 ▼a Electronic books.
7001 ▼a Thomas, Philip, ▼d 1972-, ▼e author.
77608 ▼i Print version: ▼a Iddon, Martin, 1975- ▼t John Cage's Concert for piano and orchestra ▼d New York : Oxford University Press, 2020. ▼z 9780190938475 ▼w (DLC) 2019047794
830 0 ▼a Studies in musical genesis, structure, and interpretation.
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2440723
938 ▼a Oxford University Press USA ▼b OUPR ▼n EDZ0002266141
938 ▼a ProQuest Ebook Central ▼b EBLB ▼n EBL6181485
938 ▼a EBSCOhost ▼b EBSC ▼n 2440723
990 ▼a 관리자
994 ▼a 92 ▼b N$T