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Counterpoint and Compositional Process in the Time of Dufay : Perspectives from German Musicology
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| 자료유형 | E-Book |
|---|---|
| 개인저자 | Moll, Kevin N. |
| 서명/저자사항 | Counterpoint and Compositional Process in the Time of Dufay :Perspectives from German Musicology. |
| 발행사항 | Hoboken : Taylor and Francis, 2014. |
| 형태사항 | 1 online resource (430 pages). |
| 총서사항 | Criticism and Analysis of Early Music |
| ISBN | 9781135617264 1135617260 |
| 내용주기 | Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; SERIES EDITOR'S FOREWORD; FOREWORD; GENERAL PREFACE; ACKNOWLEDGMENTS; EDITOR'S INTRODUCTION Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and his Contemporaries; I. Historiography of Literature to c. 1970; A. Early Studies: c. 1850-1930; B. Sharpening of Focus: c. 1930-1970; II. Evaluation of Concepts and Terminology; A. Roots of the Basic Conceptual Disagreement; B. Geru?stsatz vs. Bourdon-Tiefstimme; C. Contrapuntal Referentiality as a Conceptual Key. D. Ernst Apfel's Basic Contrapuntal TypesE. Referentiality, Musical Texture, and Tonal Coherence; ESSAYS; 1 Dufay-Creator of Fauxbourdon; 2 Toward a History of the Genesis of Fauxbourdon; 3 Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker; I. Concerning the Essence of Linear Art; II. Concerning the Essence of Tonality; III. What Was ""Bourdon""?; IV. Why ""Fauxbourdon""?; 4 Harmony in the Cantus-Firmus Compositions of the Fifteenth Century; I. The Cadences; A. Leading-Tone Cadence; B. Second Main Form of Cadence; C. The Phrygian (Mi- ) Cadence. D. Building the Superstructure of CadencesE. The Compositional Application; II. The Passages Apart from the Cadences; 5 The ""Tonal Discant"" and ""Free Discant"" Techniques of Composition in the Fifteenth Century; 6 The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries; 7 The Origin of True Four-Voice Counterpoint in England; 8 Four-Voice Counterpoint in the Fourteenth and Fifteenth Centuries; 9 The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality; 10 Late Medieval Harmonic Structure and Major-Minor Tonality. 11 Tonality and Harmony in the French Chanson between Machaut and DufayI. Guillaume de Machaut; II. French Late Period; III. Pre-Netherlandish Transition Period; IV. Guillaume Dufay; 12 The Effect of Medieval English Polyphony upon the Development of Continental Cantus-Firmus Techniques and Tonal Structure; APPENDIX Glossary and Concordance of Specialized Terms; BIBLIOGRAPHY List of Works Cited and Supplementary Modern Editions; GENERAL INDEX; COPYRIGHT PERMISSION. |
| 요약 | First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company. |
| 주제명(개인명) | Dufay, Guillaume,1397-1474 -- Criticism and interpretation. Dufay, Guillaume,1397-1474 -- fast -- |
| 일반주제명 | Music -- 500-1400 -- History and criticism. Music -- 15th century -- History and criticism. Counterpoint -- History. MUSIC -- Instruction & Study -- Voice. MUSIC -- Lyrics. MUSIC -- Printed Music -- Vocal. Counterpoint. Music. |
| 언어 | 영어 |
| 기타형태 저록 | Print version:Moll, Kevin N.Counterpoint and Compositional Process in the Time of Dufay : Perspectives from German Musicology.Hoboken : Taylor and Francis, 짤20149780815323464 |
| 대출바로가기 | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=756044 |
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