| LDR | | 04703cmm u2200637Mi 4500 |
| 001 | | 000000309030 |
| 003 | | OCoLC |
| 005 | | 20230525120634 |
| 006 | | m d |
| 007 | | cr cnu---unuuu |
| 008 | | 140412s2014 xx o 000 0 eng d |
| 020 | |
▼a 9781135617264
▼q (electronic bk.) |
| 020 | |
▼a 1135617260
▼q (electronic bk.) |
| 035 | |
▼a 756044
▼b (N$T) |
| 035 | |
▼a (OCoLC)876513070 |
| 040 | |
▼a EBLCP
▼b eng
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▼d OCLCO
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▼d OCLCQ
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▼d 248032 |
| 049 | |
▼a MAIN |
| 050 | 4 |
▼a ML170 .C75 2014 |
| 072 | 7 |
▼a MUS
▼x 042000
▼2 bisacsh |
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▼a MUS
▼x 052000
▼2 bisacsh |
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▼a MUS
▼x 037110
▼2 bisacsh |
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▼a 782.0092 |
| 100 | 1 |
▼a Moll, Kevin N. |
| 245 | 10 |
▼a Counterpoint and Compositional Process in the Time of Dufay :
▼b Perspectives from German Musicology. |
| 260 | |
▼a Hoboken :
▼b Taylor and Francis,
▼c 2014. |
| 300 | |
▼a 1 online resource (430 pages). |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 490 | 1 |
▼a Criticism and Analysis of Early Music |
| 505 | 0 |
▼a Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; SERIES EDITOR'S FOREWORD; FOREWORD; GENERAL PREFACE; ACKNOWLEDGMENTS; EDITOR'S INTRODUCTION Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and his Contemporaries; I. Historiography of Literature to c. 1970; A. Early Studies: c. 1850-1930; B. Sharpening of Focus: c. 1930-1970; II. Evaluation of Concepts and Terminology; A. Roots of the Basic Conceptual Disagreement; B. Geru?stsatz vs. Bourdon-Tiefstimme; C. Contrapuntal Referentiality as a Conceptual Key. |
| 505 | 8 |
▼a D. Ernst Apfel's Basic Contrapuntal TypesE. Referentiality, Musical Texture, and Tonal Coherence; ESSAYS; 1 Dufay-Creator of Fauxbourdon; 2 Toward a History of the Genesis of Fauxbourdon; 3 Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker; I. Concerning the Essence of Linear Art; II. Concerning the Essence of Tonality; III. What Was ""Bourdon""?; IV. Why ""Fauxbourdon""?; 4 Harmony in the Cantus-Firmus Compositions of the Fifteenth Century; I. The Cadences; A. Leading-Tone Cadence; B. Second Main Form of Cadence; C. The Phrygian (Mi- ) Cadence. |
| 505 | 8 |
▼a D. Building the Superstructure of CadencesE. The Compositional Application; II. The Passages Apart from the Cadences; 5 The ""Tonal Discant"" and ""Free Discant"" Techniques of Composition in the Fifteenth Century; 6 The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries; 7 The Origin of True Four-Voice Counterpoint in England; 8 Four-Voice Counterpoint in the Fourteenth and Fifteenth Centuries; 9 The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality; 10 Late Medieval Harmonic Structure and Major-Minor Tonality. |
| 505 | 8 |
▼a 11 Tonality and Harmony in the French Chanson between Machaut and DufayI. Guillaume de Machaut; II. French Late Period; III. Pre-Netherlandish Transition Period; IV. Guillaume Dufay; 12 The Effect of Medieval English Polyphony upon the Development of Continental Cantus-Firmus Techniques and Tonal Structure; APPENDIX Glossary and Concordance of Specialized Terms; BIBLIOGRAPHY List of Works Cited and Supplementary Modern Editions; GENERAL INDEX; COPYRIGHT PERMISSION. |
| 520 | |
▼a First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company. |
| 588 | 0 |
▼a Print version record. |
| 600 | 10 |
▼a Dufay, Guillaume,
▼d 1397-1474
▼x Criticism and interpretation. |
| 600 | 17 |
▼a Dufay, Guillaume,
▼d 1397-1474
▼2 fast
▼0 (OCoLC)fst01816530 |
| 648 | 7 |
▼a 500-1499
▼2 fast |
| 650 | 0 |
▼a Music
▼y 500-1400
▼x History and criticism. |
| 650 | 0 |
▼a Music
▼y 15th century
▼x History and criticism. |
| 650 | 0 |
▼a Counterpoint
▼x History. |
| 650 | 7 |
▼a MUSIC
▼x Instruction & Study
▼x Voice.
▼2 bisacsh |
| 650 | 7 |
▼a MUSIC
▼x Lyrics.
▼2 bisacsh |
| 650 | 7 |
▼a MUSIC
▼x Printed Music
▼x Vocal.
▼2 bisacsh |
| 650 | 7 |
▼a Counterpoint.
▼2 fast
▼0 (OCoLC)fst00881333 |
| 650 | 7 |
▼a Music.
▼2 fast
▼0 (OCoLC)fst01030269 |
| 655 | 4 |
▼a Electronic books. |
| 655 | 7 |
▼a Criticism, interpretation, etc.
▼2 fast
▼0 (OCoLC)fst01411635 |
| 655 | 7 |
▼a History.
▼2 fast
▼0 (OCoLC)fst01411628 |
| 776 | 08 |
▼i Print version:
▼a Moll, Kevin N.
▼t Counterpoint and Compositional Process in the Time of Dufay : Perspectives from German Musicology.
▼d Hoboken : Taylor and Francis, 짤2014
▼z 9780815323464 |
| 830 | 0 |
▼a Criticism and analysis of early music. |
| 856 | 40 |
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=756044 |
| 938 | |
▼a EBL - Ebook Library
▼b EBLB
▼n EBL1666763 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 756044 |
| 990 | |
▼a 관리자 |
| 994 | |
▼a 92
▼b N$T |