LDR | | 02006nmm uu200397 4500 |
001 | | 000000333986 |
005 | | 20240805174920 |
008 | | 181129s2018 |||||||||||||||||c||eng d |
020 | |
▼a 9780438429932 |
035 | |
▼a (MiAaPQ)AAI10825042 |
035 | |
▼a (MiAaPQ)ucr:13333 |
040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
082 | 0 |
▼a 793 |
100 | 1 |
▼a Avaunt, Casey. |
245 | 10 |
▼a Claiming Ritual: Female Lion Dancing in Boston's Chinatown. |
260 | |
▼a [S.l.] :
▼b University of California, Riverside.,
▼c 2018 |
260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
300 | |
▼a 207 p. |
500 | |
▼a Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A. |
500 | |
▼a Adviser: Anthea Kraut. |
502 | 1 |
▼a Thesis (Ph.D.)--University of California, Riverside, 2018. |
520 | |
▼a This doctoral thesis investigates female practices of the lion dance in Boston's Chinatown, focusing primarily on the all-women's company Gund Kwok. For most of lion dancing's millennia-old history, women have been barred women from joining the |
520 | |
▼a My project begins in Boston's Chinatown, where I turn to histories of young women who performed lion dances within fundraising spectacles during the Second Sino-Japanese War (1937-1945). Though participating in these masculine dances was incongr |
520 | |
▼a Grounded in a Critical Dance Studies approach, this study examines the role of the body in facilitating and challenging modalities of power. I closely examine how female lion dance technique and performance intersect with theoretical conversatio |
590 | |
▼a School code: 0032. |
650 | 4 |
▼a Dance. |
690 | |
▼a 0378 |
710 | 20 |
▼a University of California, Riverside.
▼b Critical Dance Studies. |
773 | 0 |
▼t Dissertation Abstracts International
▼g 80-01A(E). |
773 | |
▼t Dissertation Abstract International |
790 | |
▼a 0032 |
791 | |
▼a Ph.D. |
792 | |
▼a 2018 |
793 | |
▼a English |
856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14998727
▼n KERIS |
980 | |
▼a 201812
▼f 2019 |
990 | |
▼a 관리자 |