| LDR | | 01765nmm uu200385 4500 |
| 001 | | 000000333810 |
| 005 | | 20240805174600 |
| 008 | | 181129s2018 |||||||||||||||||c||eng d |
| 020 | |
▼a 9780438126893 |
| 035 | |
▼a (MiAaPQ)AAI10903083 |
| 035 | |
▼a (MiAaPQ)umichrackham:001207 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
| 082 | 0 |
▼a 780 |
| 100 | 1 |
▼a Cox, Kathryn B. |
| 245 | 10 |
▼a "What Happened to the Post-War Dream?": Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s. |
| 260 | |
▼a [S.l.] :
▼b University of Michigan.,
▼c 2018 |
| 260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
| 300 | |
▼a 296 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 79-12(E), Section: A. |
| 500 | |
▼a Adviser: Charles Hiroshi Garrett. |
| 502 | 1 |
▼a Thesis (Ph.D.)--University of Michigan, 2018. |
| 520 | |
▼a The widespread popularity of British rock musicians in the early 1960s presented the world with a postwar-dream version of Britain as a modern, thriving cultural force in the global economy. Over the course of the decade, however, many of these |
| 520 | |
▼a This dissertation explores how British rock musicians sought to engage with their identities as members of the postwar generation and to challenge their inherited national history. By applying theories addressing identity, memory, and nostalgia |
| 590 | |
▼a School code: 0127. |
| 650 | 4 |
▼a Music. |
| 690 | |
▼a 0413 |
| 710 | 20 |
▼a University of Michigan.
▼b Musicology. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 79-12A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0127 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2018 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T15000578
▼n KERIS |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a 관리자 |