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020 ▼a 9780438007444
035 ▼a (MiAaPQ)AAI10821846
035 ▼a (MiAaPQ)ku:15987
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 248032
0820 ▼a 780
1001 ▼a Lin, Chieh-An.
24514 ▼a The Percussive Character and the Lyrical Quality in Bartok's Piano Music.
260 ▼a [S.l.] : ▼b University of Kansas., ▼c 2018
260 1 ▼a Ann Arbor : ▼b ProQuest Dissertations & Theses, ▼c 2018
300 ▼a 41 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
500 ▼a Adviser: Jack Winerock.
5021 ▼a Thesis (D.M.A.)--University of Kansas, 2018.
520 ▼a The purpose of this study is to explore the percussive character and the lyrical quality in Bartok's piano works. Bartok realized the nature of the piano as a percussion instrument. He used this idea in his piano works, and through different acc
520 ▼a Bartok's recordings of his own pieces display a lyrical quality in addition to the percussive character. His performances are not completely consistent with the detailed indications that he marked on the score. Bartok believed that composers' re
520 ▼a This paper will include three chapters to discuss the lyrical quality and percussive character in his piano works. The first chapter will examine the percussive character in his piano works. I will analyze the rhythmic variety and the different
590 ▼a School code: 0099.
650 4 ▼a Music.
690 ▼a 0413
71020 ▼a University of Kansas. ▼b Music.
7730 ▼t Dissertation Abstracts International ▼g 79-10A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0099
791 ▼a D.M.A.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T14998425 ▼n KERIS
980 ▼a 201812 ▼f 2019
990 ▼a 관리자