| LDR | | 01513nmm uu200385 4500 |
| 001 | | 000000333409 |
| 005 | | 20240805172956 |
| 008 | | 181129s2018 |||||||||||||||||c||eng d |
| 020 | |
▼a 9780438013704 |
| 035 | |
▼a (MiAaPQ)AAI10817039 |
| 035 | |
▼a (MiAaPQ)columbia:14718 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
| 082 | 0 |
▼a 781 |
| 100 | 1 |
▼a Brook, Taylor. |
| 245 | 10 |
▼a Synergy of Form, Rhythm, and Orchestration in Three Microtonal Compositions. |
| 260 | |
▼a [S.l.] :
▼b Columbia University.,
▼c 2018 |
| 260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
| 300 | |
▼a 133 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A. |
| 500 | |
▼a Includes supplementary digital materials. |
| 500 | |
▼a Adviser: Fred Lerdahl. |
| 502 | 1 |
▼a Thesis (D.M.A.)--Columbia University, 2018. |
| 520 | |
▼a Microtonal pitch systems have musical implications beyond the organization of pitch, suggesting the possibility of functioning symbiotically with orchestration, rhythm, and form in a musical work. This essay focuses on three compositions, each o |
| 590 | |
▼a School code: 0054. |
| 650 | 4 |
▼a Musical composition. |
| 690 | |
▼a 0214 |
| 710 | 20 |
▼a Columbia University.
▼b Music. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 79-10A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0054 |
| 791 | |
▼a D.M.A. |
| 792 | |
▼a 2018 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14998315
▼n KERIS |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a 관리자 |