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020 ▼a 9780438005938
035 ▼a (MiAaPQ)AAI10824147
035 ▼a (MiAaPQ)ucla:16728
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 248032
0820 ▼a 709
1001 ▼a Driscoll, Megan Philipa.
24510 ▼a Art on the Internet and the Digital Public Sphere, 1994 - 2003.
260 ▼a [S.l.] : ▼b University of California, Los Angeles., ▼c 2018
260 1 ▼a Ann Arbor : ▼b ProQuest Dissertations & Theses, ▼c 2018
300 ▼a 367 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
500 ▼a Adviser: Miwon Kwon.
5021 ▼a Thesis (Ph.D.)--University of California, Los Angeles, 2018.
520 ▼a This dissertation narrates the development of internet art, a diverse set of practices united by their interrogation of the technological, social, and/or political bases of computer networks. Covering the period from 1994, when internet art coal
520 ▼a Claims for the public status of computer networks rest on their ability to circulate information and facilitate discussion and debate. This definition of publicness is rooted in the concept of the classical public sphere as theorized by Jurgen H
520 ▼a The dissertation also engages Michael Warner's work on the formation of publics, counterpublics, and the mass-cultural public sphere
590 ▼a School code: 0031.
650 4 ▼a Art history.
650 4 ▼a Web studies.
650 4 ▼a Political science.
690 ▼a 0377
690 ▼a 0646
690 ▼a 0615
71020 ▼a University of California, Los Angeles. ▼b Art History 0093.
7730 ▼t Dissertation Abstracts International ▼g 79-10A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0031
791 ▼a Ph.D.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T14998634 ▼n KERIS
980 ▼a 201812 ▼f 2019
990 ▼a 관리자