| LDR | | 02005nmm uu200397 4500 |
| 001 | | 000000333343 |
| 005 | | 20240805172842 |
| 008 | | 181129s2018 |||||||||||||||||c||eng d |
| 020 | |
▼a 9780438007352 |
| 035 | |
▼a (MiAaPQ)AAI10816490 |
| 035 | |
▼a (MiAaPQ)ku:15918 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
| 082 | 0 |
▼a 781 |
| 100 | 1 |
▼a Powell, Andrew S. |
| 245 | 12 |
▼a A Composite Theory of Transformations and Narrativity for the Music of Danny Elfman in the Films of Tim Burton. |
| 260 | |
▼a [S.l.] :
▼b University of Kansas.,
▼c 2018 |
| 260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
| 300 | |
▼a 267 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A. |
| 500 | |
▼a Adviser: Scott Murphy. |
| 502 | 1 |
▼a Thesis (Ph.D.)--University of Kansas, 2018. |
| 520 | |
▼a Much discussion concerning Danny Elfman's music in collaboration with Tim Burton has centered on the creation of an inimitable sound through instrumentation to match the typical gothic, quirky visuals. Passing mention has been made of a tendency |
| 520 | |
▼a This dissertation explores the notion of a clearly defined musical style through means beyond instrumentation, embracing the use of transformation of theme, harmony, and rhythm/meter as the primary method of expressing the core components of Bur |
| 520 | |
▼a The elements of melody, harmony, and rhythm/meter are treated individually, discussing issues in terminology and current trends within film music analysis, before identifying commonly recurring models contained within Elfman's film scoring techn |
| 590 | |
▼a School code: 0099. |
| 650 | 4 |
▼a Music theory. |
| 690 | |
▼a 0221 |
| 710 | 20 |
▼a University of Kansas.
▼b Music. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 79-10A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0099 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2018 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14998255
▼n KERIS |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a 관리자 |