| LDR | | 01864nmm uu200433 4500 |
| 001 | | 000000333039 |
| 005 | | 20240805172055 |
| 008 | | 181129s2018 |||||||||||||||||c||eng d |
| 020 | |
▼a 9780438382008 |
| 035 | |
▼a (MiAaPQ)AAI10791333 |
| 035 | |
▼a (MiAaPQ)uiowa:15748 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
| 082 | 0 |
▼a 780 |
| 100 | 1 |
▼a Gorin, Pablo Cesar. |
| 245 | 10 |
▼a Alberto Ginastera's Variazioni e Toccata sopra "Aurora lucis rutilat," Op. 52, An Analytical Overview for Performers. |
| 260 | |
▼a [S.l.] :
▼b The University of Iowa.,
▼c 2018 |
| 260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
| 300 | |
▼a 105 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 80-02(E), Section: A. |
| 500 | |
▼a Adviser: Gregory Hand. |
| 502 | 1 |
▼a Thesis (D.M.A.)--The University of Iowa, 2018. |
| 520 | |
▼a This essay is a musicological, analytical, and performance practice investigation of Variazioni e Toccata sopra "Aurora lucis rutilat," op. 52 by Alberto Ginastera. Commissioned by and written for the Twin Cities Chapter of the American Guild o |
| 520 | |
▼a This essay seeks to clarify the composition by addressing 1) the relation between manuscript sources, the correspondence between composer and performer during and after the compositional process, recordings, and 2) by analyzing the form of the p |
| 590 | |
▼a School code: 0096. |
| 650 | 4 |
▼a Music. |
| 650 | 4 |
▼a Musical composition. |
| 650 | 4 |
▼a Music theory. |
| 690 | |
▼a 0413 |
| 690 | |
▼a 0214 |
| 690 | |
▼a 0221 |
| 710 | 20 |
▼a The University of Iowa.
▼b Music. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 80-02A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0096 |
| 791 | |
▼a D.M.A. |
| 792 | |
▼a 2018 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14997636
▼n KERIS |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a 관리자 |