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020 ▼a 9780438084230
035 ▼a (MiAaPQ)AAI10792857
035 ▼a (MiAaPQ)uchicago:14302
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 248032
0820 ▼a 101
1001 ▼a McDonald, Peter Douglas. ▼0 (orcid)0000-0001-5371-3539
24510 ▼a Playfulness 1947-2017: Hermeneutics, Aesthetics, Games.
260 ▼a [S.l.] : ▼b The University of Chicago., ▼c 2018
260 1 ▼a Ann Arbor : ▼b ProQuest Dissertations & Theses, ▼c 2018
300 ▼a 298 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 79-11(E), Section: A.
500 ▼a Advisers: Bill Brown
5021 ▼a Thesis (Ph.D.)--The University of Chicago, 2018.
520 ▼a The history of video games has been dominated by technological determinism, with scholars tracing a neat line from William Higginbotham's first game on an oscilloscope screen through more and more complex hardware to 2017's Nintendo Switch. In t
520 ▼a In each of my four chapters, I trace one strand of an aesthetic genealogy that runs from the mid-twentieth century to the present. In each chapter I begin with an experimental game that seems nearly unplayable because it lacks rules, goals, or m
520 ▼a In Chapter One, "Replayability: Play without Truth," I stage the intellectual genealogy that brought games into the forefront of postwar thought. In the early twentieth century, games---especially chess---became crucial metaphors for understandi
520 ▼a Having established a frame for my inquiry, Chapter Two, "Secrecy: Play without Reason" develops a full theory of playfulness. I examine its common definition in psychology and game studies, and argue that they are too narrow to account for the m
590 ▼a School code: 0330.
650 4 ▼a Aesthetics.
650 4 ▼a Art criticism.
650 4 ▼a Multimedia communications.
690 ▼a 0650
690 ▼a 0365
690 ▼a 0558
71020 ▼a The University of Chicago. ▼b English Language and Literature.
7730 ▼t Dissertation Abstracts International ▼g 79-11A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0330
791 ▼a Ph.D.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T14997727 ▼n KERIS
980 ▼a 201812 ▼f 2019
990 ▼a 관리자