| LDR | | 02770nmm uu200433 4500 |
| 001 | | 000000332278 |
| 005 | | 20240805170516 |
| 008 | | 181129s2018 |||||||||||||||||c||eng d |
| 020 | |
▼a 9780438306523 |
| 035 | |
▼a (MiAaPQ)AAI10751700 |
| 035 | |
▼a (MiAaPQ)fsu:14425 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
| 082 | 0 |
▼a 781 |
| 100 | 1 |
▼a Selle, Andrew. |
| 245 | 10 |
▼a Experiencing Sound: A Hybrid Approach to Electronic Music Analysis. |
| 260 | |
▼a [S.l.] :
▼b The Florida State University.,
▼c 2018 |
| 260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
| 300 | |
▼a 232 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A. |
| 500 | |
▼a Adviser: Evan A. Jones. |
| 502 | 1 |
▼a Thesis (Ph.D.)--The Florida State University, 2018. |
| 520 | |
▼a This dissertation addresses one key question throughout: "How does the experience of hearing a piece of music inform the ways in which we understand its formal structure and syntax?" Because electronic music is typically solely an aural experien |
| 520 | |
▼a In Chapter 1, I outline related work that has been done in the field in both theoretical and analytical domains. I discuss many threads that have proven to be important in this dissertation, including theories of phenomenology and sonic definiti |
| 520 | |
▼a Chapter 3 revolves around the perceptual segmentation of works of electronic music into smaller syntactical units. I achieve this through a process I call "parametric analysis". This involves focusing on one's own listening in order to determine |
| 520 | |
▼a Chapter 4 focuses on small-scale formal function present within the segments identified through parametric analysis. In other words, it examines those musical elements that make a given section function as an introduction or a transition, for ex |
| 520 | |
▼a Chapter 5 extends the techniques developed in Chapters 3 and 4 into music that combines acoustic instruments with electronics, examining Mario Davidovsky's Synchronisms No. 6 (1970) for piano and electronics and Kaija Saariaho's Pres (1992) for |
| 520 | |
▼a Finally, Chapter 6 provides a short epilogue detailing those musics which I was unable to fit into this project that warrant further examination through a phenomenological lens, including drone, ambient, dance, and acoustic music. Though these g |
| 590 | |
▼a School code: 0071. |
| 650 | 4 |
▼a Music theory. |
| 690 | |
▼a 0221 |
| 710 | 20 |
▼a The Florida State University.
▼b Music. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 80-01A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0071 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2018 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14997187
▼n KERIS |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a 관리자 |