| LDR | | 01992nmm uu200421 4500 |
| 001 | | 000000332070 |
| 005 | | 20240805165947 |
| 008 | | 181129s2018 |||||||||||||||||c||eng d |
| 020 | |
▼a 9780438094963 |
| 035 | |
▼a (MiAaPQ)AAI10829687 |
| 035 | |
▼a (MiAaPQ)indiana:15292 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
| 082 | 0 |
▼a 781 |
| 100 | 1 |
▼a Boyle, Matthew L. |
| 245 | 10 |
▼a Musical Pleasure in Rossinian Opera. |
| 260 | |
▼a [S.l.] :
▼b Indiana University.,
▼c 2018 |
| 260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
| 300 | |
▼a 317 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 79-11(E), Section: A. |
| 500 | |
▼a Adviser: Roman Ivanovitch. |
| 502 | 1 |
▼a Thesis (Ph.D.)--Indiana University, 2018. |
| 520 | |
▼a This dissertation examines issues of pleasure and enjoyment in the operas of Gioachino Rossini (1792--1868) and his contemporaries (ca. 1810--1835). This study takes as its starting point the reception of Rossini's works outside of Italy, where |
| 520 | |
▼a The first chapter is concerned with the Italian identity of Rossinian opera. The consumption of Italian opera was strongly regulated by discourses of climate, biology, and culture, where southern bodies were seen as more susceptible to sensual p |
| 520 | |
▼a Chapters 4, 5, and 6 form a group that look at Rossinian "open melodies" (Friedrich Lippmann 1969). These passages of operatic melody often weaken the necessary conditions for a meaningful Schenkerian Aussensatz to be understood as forming the |
| 590 | |
▼a School code: 0093. |
| 650 | 4 |
▼a Music theory. |
| 650 | 4 |
▼a Music history. |
| 690 | |
▼a 0221 |
| 690 | |
▼a 0208 |
| 710 | 20 |
▼a Indiana University.
▼b Music Theory. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 79-11A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0093 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2018 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14999334
▼n KERIS |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a 관리자 |