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020 ▼a 9780438019836
035 ▼a (MiAaPQ)AAI10826621
035 ▼a (MiAaPQ)ucla:16856
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 248032
0491 ▼f DP
0820 ▼a 791
1001 ▼a Trautenberg, Ezekiel Edward.
24512 ▼a A Porous Cinema: Cosmopolitanism and Cinephilia in Chilean Art Film (2005-2015).
260 ▼a [S.l.] : ▼b University of California, Los Angeles., ▼c 2018
260 1 ▼a Ann Arbor : ▼b ProQuest Dissertations & Theses, ▼c 2018
300 ▼a 549 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
500 ▼a Adviser: Veronica Cortinez.
5021 ▼a Thesis (Ph.D.)--University of California, Los Angeles, 2018.
520 ▼a Between 2005 and 2015, a distinctly cosmopolitan form of art cinema flourished in Chile. Alberto Fuguet, Pablo Larrain, Alicia Scherson, and Sebastian Silva, who released their first feature-length films between 2005 and 2007, are markedly cosmo
520 ▼a The release of these Chilean productions and co-productions coincides with the beginning of the post-Transition to Democracy period as well as the expansion and maturation of the country's film industry. From 2005 through 2015, the number of new
520 ▼a This dissertation is divided into two parts. In the first two chapters, I focus on the structural factors shaping the development of this cinema between 2005 and 2015. In the first chapter, I analyze Chile's film industry with a focus on product
590 ▼a School code: 0031.
650 4 ▼a Film studies.
650 4 ▼a Latin American literature.
690 ▼a 0900
690 ▼a 0312
71020 ▼a University of California, Los Angeles. ▼b Spanish 0882.
7730 ▼t Dissertation Abstracts International ▼g 79-10A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0031
791 ▼a Ph.D.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T14998912 ▼n KERIS
980 ▼a 201812 ▼f 2019
990 ▼a 관리자 ▼b 관리자