LDR | | 00000nmm u2200205 4500 |
001 | | 000000331830 |
005 | | 20241120152258 |
008 | | 181129s2018 ||| | | | eng d |
020 | |
▼a 9780438021730 |
035 | |
▼a (MiAaPQ)AAI10827154 |
035 | |
▼a (MiAaPQ)ucla:16898 |
040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
049 | 1 |
▼f DP |
082 | 0 |
▼a 780 |
100 | 1 |
▼a Doleac, Benjamin Grant. |
245 | 10 |
▼a "We Made It Through That Water": Rhythm, Dance, and Resistance in the New Orleans Second Line. |
260 | |
▼a [S.l.] :
▼b University of California, Los Angeles.,
▼c 2018 |
260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
300 | |
▼a 293 p. |
500 | |
▼a Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A. |
500 | |
▼a Adviser: Cheryl L. Keyes. |
502 | 1 |
▼a Thesis (Ph.D.)--University of California, Los Angeles, 2018. |
520 | |
▼a The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the |
520 | |
▼a While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade's sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural |
590 | |
▼a School code: 0031. |
650 | 4 |
▼a Music. |
650 | 4 |
▼a African American studies. |
650 | 4 |
▼a Black history. |
690 | |
▼a 0413 |
690 | |
▼a 0296 |
690 | |
▼a 0328 |
710 | 20 |
▼a University of California, Los Angeles.
▼b Ethnomusicology 0472. |
773 | 0 |
▼t Dissertation Abstracts International
▼g 79-10A(E). |
773 | |
▼t Dissertation Abstract International |
790 | |
▼a 0031 |
791 | |
▼a Ph.D. |
792 | |
▼a 2018 |
793 | |
▼a English |
856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14998988
▼n KERIS |
980 | |
▼a 201812
▼f 2019 |
990 | |
▼a 관리자
▼b 관리자 |