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020 ▼a 9780438290938
035 ▼a (MiAaPQ)AAI10825596
035 ▼a (MiAaPQ)ucdavis:17934
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 248032
0491 ▼f DP
0820 ▼a 895
1001 ▼a Ammirati, Megan Elizabeth.
24510 ▼a Casting Gender: A Critical History of Women and Performance in China's Twentieth Century.
260 ▼a [S.l.] : ▼b University of California, Davis., ▼c 2018
260 1 ▼a Ann Arbor : ▼b ProQuest Dissertations & Theses, ▼c 2018
300 ▼a 359 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A.
500 ▼a Adviser: Xiaomei Chen.
5021 ▼a Thesis (Ph.D.)--University of California, Davis, 2018.
520 ▼a This dissertation investigates the legacy of the first generation of professional stage actresses in modern China. When "female actors" began to replace "female impersonators" in the early twentieth century, such a shift was not a simple substit
520 ▼a Casting Gender argues that this sea change in gender performance continued to affect actresses for decades after they first took to the stage, offering an alternative history of the Chinese spoken drama movement written from the perspectives of
520 ▼a Casting Gender's effort to rethink Chinese theater history has two, interrelated consequences. First, it acknowledges theater participants whose transient or corporeal labor falls outside of an analysis centered on a textual corpus. Researching
590 ▼a School code: 0029.
650 4 ▼a Asian literature.
650 4 ▼a Theater history.
650 4 ▼a Women's studies.
690 ▼a 0305
690 ▼a 0644
690 ▼a 0453
71020 ▼a University of California, Davis. ▼b Comparative Literature.
7730 ▼t Dissertation Abstracts International ▼g 80-01A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0029
791 ▼a Ph.D.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T14998784 ▼n KERIS
980 ▼a 201812 ▼f 2019
990 ▼a 관리자 ▼b 관리자