| LDR | | 01873nmm uu200433 4500 |
| 001 | | 000000331658 |
| 005 | | 20240805164830 |
| 008 | | 181129s2018 |||||||||||||||||c||eng d |
| 020 | |
▼a 9780438380493 |
| 035 | |
▼a (MiAaPQ)AAI10932086 |
| 035 | |
▼a (MiAaPQ)ucla:17187 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
| 082 | 0 |
▼a 780 |
| 100 | 1 |
▼a Woolsey, Morgan Fifield. |
| 245 | 10 |
▼a Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981). |
| 260 | |
▼a [S.l.] :
▼b University of California, Los Angeles.,
▼c 2018 |
| 260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
| 300 | |
▼a 247 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 80-02(E), Section: A. |
| 500 | |
▼a Advisers: Raymond L. Knapp |
| 502 | 1 |
▼a Thesis (Ph.D.)--University of California, Los Angeles, 2018. |
| 520 | |
▼a In this dissertation I argue for the importance of the film soundtrack as affective archive through a consideration of the horror soundtrack. Long dismissed by scholars in both cinema media studies and musicology as one of horror's many manipula |
| 520 | |
▼a My analyses proceed from an interdisciplinary theoretical framework animated by methods drawn from affect studies, American studies, feminist film theory, film music studies, queer of color critique, and queer theory. What is the relationship be |
| 590 | |
▼a School code: 0031. |
| 650 | 4 |
▼a Music history. |
| 650 | 4 |
▼a Film studies. |
| 650 | 4 |
▼a LGBTQ studies. |
| 690 | |
▼a 0208 |
| 690 | |
▼a 0900 |
| 690 | |
▼a 0492 |
| 710 | 20 |
▼a University of California, Los Angeles.
▼b Musicology. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 80-02A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0031 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2018 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T15001078
▼n KERIS |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a 관리자 |