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008 | | 181129s2018 |||||||||||||||||c||eng d |
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▼a 9780438360419 |
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▼a (MiAaPQ)AAI10930035 |
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▼a (MiAaPQ)indiana:15411 |
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▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
082 | 0 |
▼a 781 |
100 | 1 |
▼a Thompson, Trina Marie. |
245 | 14 |
▼a The Rhetoric of Suggestion in Debussy's Melodies : A Contingent Poetics of Thematicity, Temporality, and Agency. |
260 | |
▼a [S.l.] :
▼b Indiana University.,
▼c 2018 |
260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
300 | |
▼a 312 p. |
500 | |
▼a Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A. |
500 | |
▼a Advisers: Robert S. Hatten |
502 | 1 |
▼a Thesis (Ph.D.)--Indiana University, 2018. |
520 | |
▼a The fin-de-siecle rapprochement between Symbolist poets and impressionist composers constitutes a critical era in text-music relations. This study investigates Debussy's manipulation of musical materials in ways that both enact and contend with |
520 | |
▼a Stefan Jarocinski's Debussy: Impressionism and Symbolism (1976) provides an embryonic sketch of Debussy's use of "traditional symbols" ---that is, what would come to be called musical topics. While Jarocinski notes that the composer's use of t |
520 | |
▼a My analyses suggest that this presumed obliviousness (even randomness) in the use of musical topics is instead a hallmark of Debussy's coherent, albeit subversive, musico-poetic strategies---as part of a larger "rhetoric of suggestion." This rhe |
590 | |
▼a School code: 0093. |
650 | 4 |
▼a Music theory. |
650 | 4 |
▼a French literature. |
690 | |
▼a 0221 |
690 | |
▼a 0205 |
710 | 20 |
▼a Indiana University.
▼b Music Theory. |
773 | 0 |
▼t Dissertation Abstracts International
▼g 80-01A(E). |
773 | |
▼t Dissertation Abstract International |
790 | |
▼a 0093 |
791 | |
▼a Ph.D. |
792 | |
▼a 2018 |
793 | |
▼a English |
856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T15000974
▼n KERIS |
980 | |
▼a 201812
▼f 2019 |
990 | |
▼a 관리자 |