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020 ▼a 9780438360419
035 ▼a (MiAaPQ)AAI10930035
035 ▼a (MiAaPQ)indiana:15411
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 248032
0820 ▼a 781
1001 ▼a Thompson, Trina Marie.
24514 ▼a The Rhetoric of Suggestion in Debussy's Melodies : A Contingent Poetics of Thematicity, Temporality, and Agency.
260 ▼a [S.l.] : ▼b Indiana University., ▼c 2018
260 1 ▼a Ann Arbor : ▼b ProQuest Dissertations & Theses, ▼c 2018
300 ▼a 312 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A.
500 ▼a Advisers: Robert S. Hatten
5021 ▼a Thesis (Ph.D.)--Indiana University, 2018.
520 ▼a The fin-de-siecle rapprochement between Symbolist poets and impressionist composers constitutes a critical era in text-music relations. This study investigates Debussy's manipulation of musical materials in ways that both enact and contend with
520 ▼a Stefan Jarocinski's Debussy: Impressionism and Symbolism (1976) provides an embryonic sketch of Debussy's use of "traditional symbols" ---that is, what would come to be called musical topics. While Jarocinski notes that the composer's use of t
520 ▼a My analyses suggest that this presumed obliviousness (even randomness) in the use of musical topics is instead a hallmark of Debussy's coherent, albeit subversive, musico-poetic strategies---as part of a larger "rhetoric of suggestion." This rhe
590 ▼a School code: 0093.
650 4 ▼a Music theory.
650 4 ▼a French literature.
690 ▼a 0221
690 ▼a 0205
71020 ▼a Indiana University. ▼b Music Theory.
7730 ▼t Dissertation Abstracts International ▼g 80-01A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0093
791 ▼a Ph.D.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T15000974 ▼n KERIS
980 ▼a 201812 ▼f 2019
990 ▼a 관리자