LDR | | 02012nmm uu200421 4500 |
001 | | 000000331552 |
005 | | 20240805164620 |
008 | | 181129s2018 |||||||||||||||||c||eng d |
020 | |
▼a 9780438339385 |
035 | |
▼a (MiAaPQ)AAI10929969 |
035 | |
▼a (MiAaPQ)indiana:15410 |
040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
082 | 0 |
▼a 781 |
100 | 1 |
▼a Liu, Lucy Y. |
245 | 10 |
▼a Musical Prose and Modular Discourse in Select Works by Brahms. |
260 | |
▼a [S.l.] :
▼b Indiana University.,
▼c 2018 |
260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
300 | |
▼a 264 p. |
500 | |
▼a Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A. |
500 | |
▼a Adviser: Frank Samarotto. |
502 | 1 |
▼a Thesis (Ph.D.)--Indiana University, 2018. |
520 | |
▼a In the history of Brahms reception, "developing variation" emerged as a central concept. Another suggestive term, "musical prose," often accompanies discussions of developing variation. It originates from Schoenberg's essay "Brahms the Progressi |
520 | |
▼a This dissertation reconsiders musical prose in light of a number of "prose"-like pieces by Brahms that exhibit almost no developing variation. To accommodate these, I reconceive "musical prose" as encompassing two distinct categories. One is the |
520 | |
▼a To demonstrate modular procedures at local and higher formal levels, I analyze the following pieces by Brahms: the slow movements of Symphony nos. 1 and 2, the scherzo of Symphony no. 4, the C-major intermezzo of op. 119, and the opening allegre |
590 | |
▼a School code: 0093. |
650 | 4 |
▼a Music theory. |
650 | 4 |
▼a Music history. |
690 | |
▼a 0221 |
690 | |
▼a 0208 |
710 | 20 |
▼a Indiana University.
▼b Music Theory. |
773 | 0 |
▼t Dissertation Abstracts International
▼g 80-01A(E). |
773 | |
▼t Dissertation Abstract International |
790 | |
▼a 0093 |
791 | |
▼a Ph.D. |
792 | |
▼a 2018 |
793 | |
▼a English |
856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T15000971
▼n KERIS |
980 | |
▼a 201812
▼f 2019 |
990 | |
▼a 관리자 |