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020 ▼a 9780438339385
035 ▼a (MiAaPQ)AAI10929969
035 ▼a (MiAaPQ)indiana:15410
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 248032
0491 ▼f DP
0820 ▼a 781
1001 ▼a Liu, Lucy Y.
24510 ▼a Musical Prose and Modular Discourse in Select Works by Brahms.
260 ▼a [S.l.] : ▼b Indiana University., ▼c 2018
260 1 ▼a Ann Arbor : ▼b ProQuest Dissertations & Theses, ▼c 2018
300 ▼a 264 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A.
500 ▼a Adviser: Frank Samarotto.
5021 ▼a Thesis (Ph.D.)--Indiana University, 2018.
520 ▼a In the history of Brahms reception, "developing variation" emerged as a central concept. Another suggestive term, "musical prose," often accompanies discussions of developing variation. It originates from Schoenberg's essay "Brahms the Progressi
520 ▼a This dissertation reconsiders musical prose in light of a number of "prose"-like pieces by Brahms that exhibit almost no developing variation. To accommodate these, I reconceive "musical prose" as encompassing two distinct categories. One is the
520 ▼a To demonstrate modular procedures at local and higher formal levels, I analyze the following pieces by Brahms: the slow movements of Symphony nos. 1 and 2, the scherzo of Symphony no. 4, the C-major intermezzo of op. 119, and the opening allegre
590 ▼a School code: 0093.
650 4 ▼a Music theory.
650 4 ▼a Music history.
690 ▼a 0221
690 ▼a 0208
71020 ▼a Indiana University. ▼b Music Theory.
7730 ▼t Dissertation Abstracts International ▼g 80-01A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0093
791 ▼a Ph.D.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T15000971 ▼n KERIS
980 ▼a 201812 ▼f 2019
990 ▼a 관리자 ▼b 관리자