| LDR | | 00000nmm u2200205 4500 |
| 001 | | 000000331225 |
| 005 | | 20241113131842 |
| 008 | | 181129s2018 ||| | | | eng d |
| 020 | |
▼a 9780438380929 |
| 035 | |
▼a (MiAaPQ)AAI10840061 |
| 035 | |
▼a (MiAaPQ)rochester:11695 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
| 049 | 1 |
▼f DP |
| 082 | 0 |
▼a 781 |
| 100 | 1 |
▼a Grant, Aaron. |
| 245 | 10 |
▼a Schubert's Three-Key Expositions. |
| 260 | |
▼a [S.l.] :
▼b University of Rochester.,
▼c 2018 |
| 260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
| 300 | |
▼a 364 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 80-02(E), Section: A. |
| 500 | |
▼a Adviser: Seth Monahan. |
| 502 | 1 |
▼a Thesis (Ph.D.)--University of Rochester, 2018. |
| 520 | |
▼a For over a century, critics derided Schubert's instrumental compositions---particularly his sonata forms---as "monotonous" (Mason 1906, 97--98), "di?use in form [and] slipshod in craftsmanship" (Gray 1928, 193). This view of Schubert's sonata fo |
| 520 | |
▼a Chapter One interrogates the notion that three-key expositions are two-part forms, and asserts that Schubert's compositional practices within this formal strategy point to a new, distinctly 19th-century, three-part expositional type. Chapter Two |
| 590 | |
▼a School code: 0188. |
| 650 | 4 |
▼a Music theory. |
| 650 | 4 |
▼a Music. |
| 690 | |
▼a 0221 |
| 690 | |
▼a 0413 |
| 710 | 20 |
▼a University of Rochester.
▼b Music. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 80-02A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0188 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2018 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14999705
▼n KERIS |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a 관리자
▼b 관리자 |