| LDR | | 00000nmm u2200205 4500 |
| 001 | | 000000331184 |
| 005 | | 20241112174631 |
| 008 | | 181129s2018 ||| | | | eng d |
| 020 | |
▼a 9780438370647 |
| 035 | |
▼a (MiAaPQ)AAI10838985 |
| 035 | |
▼a (MiAaPQ)uchicago:14456 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
| 049 | 1 |
▼f DP |
| 082 | 0 |
▼a 791 |
| 100 | 1 |
▼a Morse, Nicole Erin.
▼0 (orcid)0000-0002-4688-2454 |
| 245 | 10 |
▼a Selfie Aesthetics: Form, Performance, and Transfeminist Politics in Self-Representational Art. |
| 260 | |
▼a [S.l.] :
▼b The University of Chicago.,
▼c 2018 |
| 260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
| 300 | |
▼a 240 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A. |
| 500 | |
▼a Adviser: Daniel Morgan. |
| 502 | 1 |
▼a Thesis (Ph.D.)--The University of Chicago, 2018. |
| 520 | |
▼a Selfie Aesthetics: Form, Performance, and Transfeminist Politics in Self-Representational Art analyzes selfies by trans women and transfeminine artists to reveal how they produce new ways of being and relating in the digital era. Looking beyond |
| 520 | |
▼a Each chapter is built around one of the four key themes. In chapter one, I move across sites ranging from the Whitney Biennial to Instagram to show how artists like Zackary Drucker and Reina Gossett employ the visual rhetoric of doubling in thei |
| 590 | |
▼a School code: 0330. |
| 650 | 4 |
▼a Film studies. |
| 650 | 4 |
▼a Gender studies. |
| 690 | |
▼a 0900 |
| 690 | |
▼a 0733 |
| 710 | 20 |
▼a The University of Chicago.
▼b Cinema and Media Studies. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 80-01A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0330 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2018 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14999664
▼n KERIS |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a 관리자
▼b 관리자 |