| LDR | | 00000nmm u2200205 4500 |
| 001 | | 000000330900 |
| 005 | | 20241105174445 |
| 008 | | 181129s2017 ||| | | | eng d |
| 020 | |
▼a 9780438131927 |
| 035 | |
▼a (MiAaPQ)AAI10903460 |
| 035 | |
▼a (MiAaPQ)98352 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
| 049 | 1 |
▼f DP |
| 082 | 0 |
▼a 780 |
| 100 | 1 |
▼a Tse, Pui-Sze Priscilla. |
| 245 | 10 |
▼a Queering the Body: Cross-Dressing Performance and Identity Politics in Cantonese Opera of Post-1950s Hong Kong. |
| 260 | |
▼a [S.l.] :
▼b University of Illinois at Urbana-Champaign.,
▼c 2017 |
| 260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2017 |
| 300 | |
▼a 344 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A. |
| 500 | |
▼a Adviser: Donna A. Buchanan. |
| 502 | 1 |
▼a Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2017. |
| 520 | |
▼a This is an ethnographic study of women's cross-dressing performance in Cantonese opera (yueju) productions in Hong Kong since the 1950s. Stemming from ethnographic research conducted from 2012 to 2016, my study concerns issues of women's history |
| 520 | |
▼a While hangdang (role-type) and wenwusheng have been defined in historical scholarship on Cantonese opera, my ethnographic study of recent practices challenges the conventional understanding of both concepts within the context of Hong Kong. By ex |
| 520 | |
▼a The phenomenon of female fans pursuing female wenwusheng is a notable characteristic of Hong Kong's Cantonese opera scene. This ethnography challenges stereotypes of these fans, who have been viewed as ignorant "groupies." I study the gendered d |
| 520 | |
▼a This homoerotic emotional intimacy is also manifest in media (re)presentations of an iconic female wenwusheng, Yam Kim-fai (1913--1989). By examining her appearance on different "public stages"---opera performances, films, and in the entertainme |
| 520 | |
▼a These possibilities are not limited to gender and sexuality, but also hold cultural and political implications. Given that traditional Chinese cultural practices are considered better preserved in mainland China and/or Taiwan, and that the femal |
| 590 | |
▼a School code: 0090. |
| 650 | 4 |
▼a Music. |
| 650 | 4 |
▼a Cultural anthropology. |
| 650 | 4 |
▼a Gender studies. |
| 650 | 4 |
▼a LGBTQ studies. |
| 650 | 4 |
▼a Performing arts. |
| 650 | 4 |
▼a Asian history. |
| 690 | |
▼a 0413 |
| 690 | |
▼a 0326 |
| 690 | |
▼a 0733 |
| 690 | |
▼a 0492 |
| 690 | |
▼a 0641 |
| 690 | |
▼a 0332 |
| 710 | 20 |
▼a University of Illinois at Urbana-Champaign.
▼b Music. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 79-10A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0090 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2017 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T15000616
▼n KERIS |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a 관리자
▼b 관리자 |