| LDR | | 01991nmm uu200385 4500 |
| 001 | | 000000330635 |
| 005 | | 20240805161841 |
| 008 | | 181129s2018 |||||||||||||||||c||eng d |
| 020 | |
▼a 9780438096424 |
| 035 | |
▼a (MiAaPQ)AAI10891675 |
| 035 | |
▼a (MiAaPQ)OhioLINK:ucin1522417315389199 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
| 082 | 0 |
▼a 780 |
| 100 | 1 |
▼a Byrne, David A. |
| 245 | 14 |
▼a The Harmonic Theories of Sigfrid Karg-Elert: Acoustics, Function, Transformation, Perception. |
| 260 | |
▼a [S.l.] :
▼b University of Cincinnati.,
▼c 2018 |
| 260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
| 300 | |
▼a 951 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 79-11(E), Section: A. |
| 502 | 1 |
▼a Thesis (Ph.D.)--University of Cincinnati, 2018. |
| 520 | |
▼a This dissertation is the first comprehensive study of the harmonic theories of German composer and music theorist Sigfrid Karg-Elert (1887--1933), whose two major treatises date from the early 1930s. The dissertation's subtitle highlights the fo |
| 520 | |
▼a Karg-Elert's treatises synthesize three strains of thought in late nineteenth-century German theory that were previously somewhat self-contained: a model of pitch and harmonic space derived from the pure intervals of just intonation |
| 520 | |
▼a Though Karg-Elert generates and explains his pitch space using acoustical and mathematical principles, he ultimately reveals that the space is a model of perception, and that we continue to understand harmonic relations in the pure intervals of |
| 590 | |
▼a School code: 0045. |
| 650 | 4 |
▼a Music. |
| 690 | |
▼a 0413 |
| 710 | 20 |
▼a University of Cincinnati.
▼b College-Conservatory of Music: Theory. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 79-11A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0045 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2018 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T15000239
▼n KERIS |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a 관리자 |