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020 ▼a 9780438151536
035 ▼a (MiAaPQ)AAI10686112
035 ▼a (MiAaPQ)uiowa:15461
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 248032
0491 ▼f DP
0820 ▼a 823
1001 ▼a Benhardus, Nellene.
24510 ▼a British Literary Decadence and Religion.
260 ▼a [S.l.] : ▼b The University of Iowa., ▼c 2018
260 1 ▼a Ann Arbor : ▼b ProQuest Dissertations & Theses, ▼c 2018
300 ▼a 202 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 79-12(E), Section: A.
500 ▼a Adviser: Florence S. Boos.
5021 ▼a Thesis (Ph.D.)--The University of Iowa, 2018.
520 ▼a Throughout British decadent literature, authors creatively experiment with religion. While part of this experimentation is a matter of how authors represent religious subjects or syncretized religious traditions, a much more foundational level o
520 ▼a Also central to my methodology is my suggestion that the primary lens through which critics often read British decadence is the lens of experimentation and redefinition. It has been well established that British decadents creatively experimented
520 ▼a In my first chapter, I suggest that the experimental work that Pater does with philosophy, art theory, and genre has its roots in the experimental work he does with religion. Pater espouses a syncretic approach to religion which sees Christianit
590 ▼a School code: 0096.
650 4 ▼a British & Irish literature.
650 4 ▼a Religion.
690 ▼a 0593
690 ▼a 0318
71020 ▼a The University of Iowa. ▼b English.
7730 ▼t Dissertation Abstracts International ▼g 79-12A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0096
791 ▼a Ph.D.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T14996747 ▼n KERIS
980 ▼a 201812 ▼f 2019
990 ▼a 관리자 ▼b 관리자