LDR | | 00000nmm u2200205 4500 |
001 | | 000000330041 |
005 | | 20241023112919 |
008 | | 181129s2018 ||| | | | eng d |
020 | |
▼a 9780438151536 |
035 | |
▼a (MiAaPQ)AAI10686112 |
035 | |
▼a (MiAaPQ)uiowa:15461 |
040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 248032 |
049 | 1 |
▼f DP |
082 | 0 |
▼a 823 |
100 | 1 |
▼a Benhardus, Nellene. |
245 | 10 |
▼a British Literary Decadence and Religion. |
260 | |
▼a [S.l.] :
▼b The University of Iowa.,
▼c 2018 |
260 | 1 |
▼a Ann Arbor :
▼b ProQuest Dissertations & Theses,
▼c 2018 |
300 | |
▼a 202 p. |
500 | |
▼a Source: Dissertation Abstracts International, Volume: 79-12(E), Section: A. |
500 | |
▼a Adviser: Florence S. Boos. |
502 | 1 |
▼a Thesis (Ph.D.)--The University of Iowa, 2018. |
520 | |
▼a Throughout British decadent literature, authors creatively experiment with religion. While part of this experimentation is a matter of how authors represent religious subjects or syncretized religious traditions, a much more foundational level o |
520 | |
▼a Also central to my methodology is my suggestion that the primary lens through which critics often read British decadence is the lens of experimentation and redefinition. It has been well established that British decadents creatively experimented |
520 | |
▼a In my first chapter, I suggest that the experimental work that Pater does with philosophy, art theory, and genre has its roots in the experimental work he does with religion. Pater espouses a syncretic approach to religion which sees Christianit |
590 | |
▼a School code: 0096. |
650 | 4 |
▼a British & Irish literature. |
650 | 4 |
▼a Religion. |
690 | |
▼a 0593 |
690 | |
▼a 0318 |
710 | 20 |
▼a The University of Iowa.
▼b English. |
773 | 0 |
▼t Dissertation Abstracts International
▼g 79-12A(E). |
773 | |
▼t Dissertation Abstract International |
790 | |
▼a 0096 |
791 | |
▼a Ph.D. |
792 | |
▼a 2018 |
793 | |
▼a English |
856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14996747
▼n KERIS |
980 | |
▼a 201812
▼f 2019 |
990 | |
▼a 관리자
▼b 관리자 |