LDR | | 04097cmm u2200673 i 4500 |
001 | | 000000327830 |
003 | | OCoLC |
005 | | 20240307140650 |
006 | | m d |
007 | | cr cnu---unuuu |
008 | | 230602s2023 inu ob 001 0 eng |
010 | |
▼a 2023026497 |
019 | |
▼a 1392402566
▼a 1392442266 |
020 | |
▼a 9780253067678
▼q electronic book |
020 | |
▼a 0253067677
▼q electronic book |
020 | |
▼a 9780253067661
▼q electronic book |
020 | |
▼a 0253067669
▼q electronic book |
020 | |
▼z 9780253067647
▼q hardcover |
020 | |
▼z 0253067642
▼q hardcover |
020 | |
▼z 9780253067654
▼q paperback |
020 | |
▼z 0253067650
▼q paperback |
035 | |
▼a 3657605
▼b (N$T) |
035 | |
▼a (OCoLC)1392347963
▼z (OCoLC)1392402566
▼z (OCoLC)1392442266 |
037 | |
▼a 22573/cats5569698
▼b JSTOR |
040 | |
▼a DLC
▼b eng
▼e rda
▼c DLC
▼d YDX
▼d P@U
▼d JSTOR
▼d EBLCP
▼d N$T
▼d YDX
▼d 248032 |
042 | |
▼a pcc |
043 | |
▼a f-ke--- |
049 | |
▼a MAIN |
050 | 04 |
▼a ML3917.K45
▼b S53 2023 |
082 | 00 |
▼a 780.96762/76
▼2 23/eng/20230621 |
084 | |
▼a MUS015000
▼a SOC008010
▼2 bisacsh |
100 | 1 |
▼a Shao, Oliver Y.,
▼e author. |
245 | 10 |
▼a Composing aid :
▼b music, refugees, and humanitarian politics /
▼c Oliver Shao. |
246 | 30 |
▼a Music, refugees, and humanitarian politics |
264 | 1 |
▼a Bloomington, Indiana :
▼b Indiana University Press,
▼c [2023] |
300 | |
▼a 1 online resource (xii, 197 pages). |
336 | |
▼a text
▼b txt
▼2 rdacontent |
337 | |
▼a computer
▼b c
▼2 rdamedia |
338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
490 | 1 |
▼a Activist encounters in folklore and ethnomusicology |
504 | |
▼a Includes bibliographical references and index. |
505 | 0 |
▼a Cover -- Title Page -- Copyright -- Contents -- Acknowledgments -- List of Abbreviations -- Introduction -- 1. Belonging -- After Relief -- 2. Pleasure -- 3. Labor -- For Protection -- 4. Immobility -- 5. Security -- 6. Peace -- Recomposing Aid -- Bibliography -- Index -- About the Author |
520 | |
▼a "Music and arts initiatives are often praised for their capacity to aid in the rehabilitation of refugees. However, it is crucial to recognize that this celebratory view can also mask the unequal power dynamics involved in regulating forced migration. In Composing Aid, Oliver Shao turns a critical ear towards the United Nations-run Kakuma Refugee Camp in Kenya, one of the largest and oldest encampments in the world. This politically engaged ethnography delves into various cultural practices, including hip hop shows, traditional dances, religious ceremonies, and NGO events, in an urbanized borderland area beset with precarity and inequality. How do songs intersect with the politics of belonging in a space controlled by state and humanitarian forces? Why do camp authorities support certain musical activities over others? What can performing artists teach us about the inequities of the international refugee regime? Offering a provocative contribution to ethnomusicological methods through its focus on activist research, Composing Aid elucidates the powerful role of music and the arts in reproducing, contesting, and reimagining the existing migratory order"--
▼c Provided by publisher. |
588 | |
▼a Description based on online resource; title from digital title page (viewed on August 28, 2023). |
590 | |
▼a Added to collection customer.56279.3 |
610 | 20 |
▼a Kakuma Refugee Camp. |
650 | 0 |
▼a Refugee camps
▼z Kenya
▼x Music. |
650 | 0 |
▼a Music
▼x Social aspects
▼z Kenya. |
650 | 0 |
▼a Music
▼x Political aspects
▼z Kenya. |
650 | 0 |
▼a Refugees
▼z Kenya. |
650 | 0 |
▼a Humanitarian assistance
▼z Kenya. |
650 | 7 |
▼a MUSIC / Ethnomusicology.
▼2 bisacsh |
650 | 7 |
▼a SOCIAL SCIENCE / Ethnic Studies / African Studies.
▼2 bisacsh |
655 | 4 |
▼a Electronic books. |
776 | 08 |
▼i Print version:
▼a Shao, Oliver Y.
▼t Composing aid
▼d Bloomington : Indiana University Press, 2023
▼z 9780253067647
▼w (DLC) 2023026496 |
830 | 0 |
▼a Activist encounters in folklore and ethnomusicology. |
856 | 40 |
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3657605 |
938 | |
▼a EBSCOhost
▼b EBSC
▼n 3657605 |
990 | |
▼a 관리자 |
994 | |
▼a 92
▼b N$T |