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LDR04038cmm u2200601 i 4500
001000000327446
003OCoLC
00520240307135747
006m d
007cr cnu---unuuu
008221206s2023 inua obq 001 0 eng
010 ▼a 2022042921
019 ▼a 1373988683
020 ▼a 9780253065933 ▼q electronic book
020 ▼a 0253065933 ▼q electronic book
020 ▼a 9780253065940 ▼q electronic book
020 ▼a 0253065941 ▼q electronic book
020 ▼z 9780253065919 ▼q hardcover
020 ▼z 9780253065926 ▼q paperback
035 ▼a 3545624 ▼b (N$T)
035 ▼a (OCoLC)1353605662 ▼z (OCoLC)1373988683
040 ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d OCLCF ▼d YDX ▼d EBLCP ▼d N$T ▼d YDX ▼d 248032
042 ▼a pcc
049 ▼a MAIN
05004 ▼a PN1995.9.D6 ▼b R495525 2023
08200 ▼a 070.1/801 ▼2 23/eng/20221206
1001 ▼a Rice, D. Andy ▼q (David Andy), ▼e author.
24510 ▼a Political camerawork : ▼b documentary and the lasting impact of reenacting historical trauma / ▼c D. Andy Rice.
264 1 ▼a Bloomington, Indiana : ▼b Indiana University Press, ▼c [2023]
300 ▼a 1 online resource (xi, 250 pages) : ▼b illustrations
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
504 ▼a Includes bibliographical references and index.
504 ▼a Includes filmography.
5050 ▼a Being there again: reenacting camerawork in In country (2014) -- Weaponizing affect: a film phenomenology of 3D military training simulations during the Iraq War -- "Do you want to play a Klansman?" lynching photography, civil rights camerawork, and the Moore's Ford Lynching reenactment in Georgia -- Establishing a Black affective infrastructure: from lynching performance in the Hollywood of the South to Always in season (2019) -- Conclusion: Toward an embodied social cinema, or from point of view to social sense.
520 ▼a "What mental and physical distress do actors, camerapersons, and reporters experience when working on reenactments of traumatic moments in history? In Political Camerawork, D. Andy Rice theorizes that the intense feelings produced while creating these performed scenarios, called "simulation documentaries," connect difficult pasts to the present. Building on his background as a nonfiction film director, producer, editor, and cinematographer, Rice analyzes performance techniques to gain insight into the emotional toll of simulation documentaries, including those reliving the Vietnam War, the US military's embodied training in California during the Iraq War, and an annual quadruple lynching reenactment organized by Black civil rights activists in Georgia. Investigating the lasting impact of these productions, Political Camerawork reveals that, by performing a simulation of a traumatic event they didn't directly experience, those involved become carriers of the trauma"-- ▼c Provided by publisher.
588 ▼a Description based on online resource; title from digital title page (viewed on April 11, 2023).
590 ▼a WorldCat record variable field(s) change: 050
650 0 ▼a Documentary films ▼x Philosophy.
650 0 ▼a Documentary films ▼x Production and direction.
650 0 ▼a Historical reenactments ▼v Case studies.
650 0 ▼a Motion pictures ▼x Political aspects.
650 0 ▼a Motion pictures ▼x Social aspects.
650 7 ▼a Documentary films ▼x Production and direction. ▼2 fast ▼0 (OCoLC)fst00896089
650 7 ▼a Historical reenactments. ▼2 fast ▼0 (OCoLC)fst00958207
650 7 ▼a Motion pictures ▼x Political aspects. ▼2 fast ▼0 (OCoLC)fst01027353
650 7 ▼a Motion pictures ▼x Social aspects. ▼2 fast ▼0 (OCoLC)fst01027384
655 7 ▼a Case studies. ▼2 fast ▼0 (OCoLC)fst01423765
77608 ▼i Print version: ▼a Rice, D. Andy ▼t Political camerawork ▼d Bloomington : Indiana University Press, 2023 ▼z 9780253065919 ▼w (DLC) 2022042920
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3545624
938 ▼a EBSCOhost ▼b EBSC ▼n 3545624
990 ▼a 관리자
994 ▼a 92 ▼b N$T