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LDR03449cmm u2200493 i 4500
001000000327428
003OCoLC
00520240307135722
006m d
007cr cnu---unuuu
008220422s2023 caua ob 001 0 eng
010 ▼a 2022019749
020 ▼a 9781503634862 ▼q electronic book
020 ▼a 1503634868 ▼q electronic book
020 ▼z 9780804799942 ▼q paperback
020 ▼z 0804799946
035 ▼a 3535377 ▼b (N$T)
035 ▼a (OCoLC)1365331504
040 ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d YDX ▼d N$T ▼d YDX ▼d 248032
042 ▼a pcc
049 ▼a MAIN
05004 ▼a BH301.W37 ▼b E62 2023
08200 ▼a 111/.85 ▼2 23/eng/20230130
1001 ▼a Engberg-Pedersen, Anders, ▼e author.
24510 ▼a Martial aesthetics : ▼b how war became an art form / ▼c Anders Engberg-Pedersen.
24630 ▼a How war became an art form
264 1 ▼a Stanford, California : ▼b Stanford University Press, ▼c [2023]
300 ▼a 1 online resource (x, 206 pages) : ▼b illustrations (some color)
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
504 ▼a Includes bibliographical references and index.
5050 ▼a Introduction : creative warfare -- Astrological war media -- The artifact of war -- Operational aesthetics -- The war artists -- Designing war -- Epilogue : failures of imagination.
520 ▼a "The twenty-first century has witnessed a pervasive militarization of aesthetics with Western military institutions co-opting the creative worldmaking of art and merging it with the destructive forces of warfare. In Martial Aesthetics, Anders Engberg-Pedersen examines the origins of this unlikely merger, showing that today's creative warfare is merely the extension of a historical development that began long ago. Indeed, the emergence of martial aesthetics harkens back to a series of inventions, ideas, and debates in the eighteenth and early nineteenth century. Already then, military thinkers and inventors adopted ideas from the field of aesthetics about the nature, purpose, and force of art and retooled them into innovative military technologies and a new theory that conceptualized war not merely as a practical art, but as an aesthetic art form. This book shows how military discourses and early war media such as star charts, horoscopes, and the Prussian wargame were entangled with ideas of creativity, genius, and possible worlds in philosophy and aesthetic theory (by thinkers such as Leibniz, Baumgarten, Kant, and Schiller) in order to trace the emergence of martial aesthetics. Adopting an approach that is simultaneously historical and theoretical, Engberg-Pedersen presents a new frame for understanding war in the twenty-first century"-- ▼c Provided by publisher.
588 ▼a Description based on online resource; title from digital title page (viewed on February 15, 2023).
590 ▼a WorldCat record variable field(s) change: 050
650 0 ▼a Aesthetics, Modern ▼y 21st century.
650 0 ▼a Art and war ▼x Philosophy.
650 0 ▼a Art and war ▼x History.
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Engberg-Pedersen, Anders. ▼t Martial aesthetics ▼d Stanford, California : Stanford University Press, 2023 ▼z 9780804799942 ▼w (DLC) 2022019748
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3535377
938 ▼a EBSCOhost ▼b EBSC ▼n 3535377
990 ▼a 관리자
994 ▼a 92 ▼b N$T