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010 ▼a 2020004841
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0167 ▼a 019811205 ▼2 Uk
020 ▼a 0429837658
020 ▼a 042983764X
020 ▼a 0429837631
020 ▼a 042945175X
020 ▼a 9780429837647
020 ▼a 9780429837630
020 ▼a 9780429451751
020 ▼a 9780429837654 ▼q (electronic bk.)
0248 ▼a 10.4324/9780429451751 ▼2 doi
035 ▼a 2437926 ▼b (N$T)
035 ▼a (OCoLC)1164396810
037 ▼a 9780429837647 ▼b Ingram Content Group
037 ▼a 9780429451751 ▼b Taylor & Francis
040 ▼a UKAHL ▼b eng ▼e rda ▼c UKAHL ▼d UKMGB ▼d TYFRS ▼d OCLCF ▼d TYFRS ▼d UKAHL ▼d OCLCO ▼d K6U ▼d N$T ▼d 248032
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24500 ▼a Popular musicology and identity : ▼b essays in honour of Stan Hawkins / ▼c edited by Kai Arne Hansen, Eirik Askeroi, Freya Jarman. ▼h [electronic resource]
264 1 ▼a London : ▼b Routledge, ▼c 2020.
300 ▼a 1 online resource : ▼b illustrations (black and white)
336 ▼a text ▼2 rdacontent
336 ▼a still image ▼2 rdacontent
337 ▼a computer ▼2 rdamedia
338 ▼a online resource ▼2 rdacarrier
520 ▼a Popular Musicology and Identity paves new paths for studying popular music's entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.
5450 ▼a Kai Arne Hansen is Associate Professor of Music at the Department of Arts and Cultural Studies, Inland Norway University of Applied Sciences. Eirik Asker첩i is Associate Professor of Music at the Department of Arts and Cultural Studies, Inland Norway University of Applied Sciences. Freya Jarman is Reader in Music at the Department of Music, University of Liverpool.
590 ▼a Added to collection customer.56279.3
650 0 ▼a Musicology.
650 0 ▼a Popular music ▼x Historiography.
650 0 ▼a Popular music ▼x History and criticism.
650 6 ▼a Musicologie.
650 6 ▼a Musique populaire ▼x Histoire et critique.
650 7 ▼a musicology. ▼2 aat
650 7 ▼a MUSIC / General ▼2 bisacsh
650 7 ▼a Musicology ▼2 fast ▼0 (OCoLC)fst01030893
650 7 ▼a Popular music ▼2 fast ▼0 (OCoLC)fst01071422
650 7 ▼a Popular music ▼x Historiography ▼2 fast ▼0 (OCoLC)fst01920673
655 4 ▼a Electronic books.
655 7 ▼a Criticism, interpretation, etc. ▼2 fast ▼0 (OCoLC)fst01411635
7001 ▼a Hansen, Kai Arne, ▼e editor.
7001 ▼a Askeroi, Eirik, ▼e editor.
7001 ▼a Jarman, Freya, ▼e editor.
7001 ▼a Hawkins, Stan, ▼e honouree.
77608 ▼i Print version: ▼z 9781138322882
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2437926
938 ▼a EBSCOhost ▼b EBSC ▼n 2437926
990 ▼a 관리자
994 ▼a 92 ▼b N$T