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LDR04023cmm u2200649 i 4500
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003OCoLC
00520230613115602
006m d
007cr cnu---unuuu
008220805s2022 inua ob 001 0 eng
010 ▼a 2022028244
020 ▼a 0253064252 ▼q electronic book
020 ▼a 9780253064257 ▼q (electronic bk.)
020 ▼z 9780253064233 ▼q hardcover
020 ▼z 0253064236 ▼q hardcover
020 ▼z 9780253064240 ▼q paperback
020 ▼z 0253064244 ▼q paperback
035 ▼a 3380861 ▼b (N$T)
035 ▼a (OCoLC)1344370621
037 ▼a 22573/ctv2wd6vnb ▼b JSTOR
040 ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d YDX ▼d OCLCF ▼d JSTOR ▼d YDX ▼d N$T ▼d 248032
042 ▼a pcc
043 ▼a a-le---
049 ▼a MAIN
05004 ▼a N7276.6 ▼b .S34 2022
072 7 ▼a SOC ▼x 002010 ▼2 bisacsh
072 7 ▼a HIS ▼x 026000 ▼2 bisacsh
072 7 ▼a ART ▼x 050010 ▼2 bisacsh
072 7 ▼a ART ▼x 050020 ▼2 bisacsh
08200 ▼a 709.569209/04 ▼2 23/eng/20220926
1001 ▼a Scheid, Kirsten, ▼d 1970-, ▼e author.
24510 ▼a Fantasmic objects : ▼b art and sociality from Lebanon, 1920-1950 / ▼c Kirsten L. Scheid. ▼h [electronic resource]
24630 ▼a Art and sociality from Lebanon, 1920-1950
264 1 ▼a Bloomington, Indiana : ▼b Indiana University Press, ▼c [2022]
300 ▼a 1 online resource (xxvi, 344 pages) : ▼b illustrations (some color).
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
4900 ▼a Public culture of the Middle East and North Africa
504 ▼a Includes bibliographical references and index.
5050 ▼a Introduction : No Art Here -- Exhibitions : Sociality as Fantasm -- Nudes : The Citizen as Fantasm -- Landscapes : The Nation as Fantasm -- Art Lessons : Fantasmic Formations of the Lady-Artist -- Portraits : Toward a Fantasmic Ontology of Art Acts -- Conclusion : Between Art and Here.
520 ▼a "In Lebanon, the study of modern art-rather than power or hierarchy-has compelled citizens to confront how they define themselves as a postcolonial nation. In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon"-- ▼c Provided by publisher.
588 ▼a Description based on online resource; title from digital title page (viewed on December 19, 2022).
590 ▼a Added to collection customer.56279.3
648 7 ▼a 1900-1999 ▼2 fast
650 0 ▼a Art, Lebanese ▼y 20th century.
650 0 ▼a Art and society ▼z Lebanon.
650 7 ▼a Art and society. ▼2 fast ▼0 (OCoLC)fst00815432
650 7 ▼a Art, Lebanese. ▼2 fast ▼0 (OCoLC)fst00816544
650 7 ▼a SOCIAL SCIENCE / Anthropology / Cultural ▼2 bisacsh
651 7 ▼a Lebanon. ▼2 fast ▼0 (OCoLC)fst01206063
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Scheid, Kirsten, 1970- ▼t Fantasmic objects ▼d Bloomington, Indiana : Indiana University Press, 2022 ▼z 9780253064233 ▼w (DLC) 2022028243
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3380861
938 ▼a EBSCOhost ▼b EBSC ▼n 3380861
990 ▼a 관리자
994 ▼a 92 ▼b N$T