LDR | | 03973cmm u2200601Ii 4500 |
001 | | 000000322699 |
003 | | OCoLC |
005 | | 20230613115057 |
006 | | m d |
007 | | cr cnu---unuuu |
008 | | 220215t20222022inua ob 001 0 eng d |
019 | |
▼a 1296637872
▼a 1298393593 |
020 | |
▼a 0253060508
▼q electronic book |
020 | |
▼a 9780253060501
▼q (electronic bk.) |
020 | |
▼z 9780253060488
▼q hardcover |
020 | |
▼z 0253060486
▼q hardcover |
020 | |
▼z 9780253060495
▼q paperback |
020 | |
▼z 0253060494
▼q paperback |
035 | |
▼a 3175393
▼b (N$T) |
035 | |
▼a (OCoLC)1296679063
▼z (OCoLC)1296637872
▼z (OCoLC)1298393593 |
040 | |
▼a YDX
▼b eng
▼e rda
▼c YDX
▼d EBLCP
▼d OSU
▼d YDXIT
▼d OCLCO
▼d N$T
▼d 248032 |
043 | |
▼a f-nr--- |
049 | |
▼a MAIN |
050 | 4 |
▼a HM851
▼b .Y45 2022 |
082 | 04 |
▼a 302.23/109669
▼2 23/eng/20220406 |
100 | 1 |
▼a Yeku, James,
▼e author. |
245 | 10 |
▼a Cultural netizenship :
▼b social media, popular culture, and performance in Nigeria /
▼c James Ye?ku?.
▼h [electronic resource] |
264 | 1 |
▼a Bloomington, Indiana :
▼b Indiana University Press,
▼c [2022] |
264 | 4 |
▼c 짤2022 |
300 | |
▼a 1 online resource (x, 278 pages) :
▼b illustrations |
336 | |
▼a text
▼b txt
▼2 rdacontent |
337 | |
▼a computer
▼b c
▼2 rdamedia |
338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
504 | |
▼a Includes bibliographical references and index |
505 | 0 |
▼a Afropolitan antiheroes and the performative politics of internet scambaiting -- The memeification of Nollywood -- Self-spectatoriality and the performance of political selves -- Visualizing resistance and performing with the visual -- Social media humor and carnivalesque aesthetics -- Virality and instagram comedy in a state of pandemic |
520 | |
▼a How does social media activism in Nigeria intersect with online popular forms--from GIFs to memes to videos--and become shaped by the repressive postcolonial state that propels resistance to dominant articulations of power? James Ye?ku? proposes the concept of "cultural netizenship"--internet citizenship and its aesthetico-cultural dimensions--as a way of being on the social web and articulating counter-hegemonic self-presentations through viral popular images. Ye?ku? explores the cultural politics of protest selfies, Nollywood-derived memes and GIFs, hashtags, and political cartoons as visual texts for postcolonial studies, and he examines how digital subjects in Nigeria, a nation with one of the most vibrant digital spheres in Africa, deconstruct state power through performed popular culture on social media. As a rubric for the new digital genres of popular and visual expressions on social media, cultural netizenship indexes the digital everyday through the affordances of the participatory web. A fascinating look at the intersection of social media and popular culture performance, Cultural Netizenship reveals the logic of remediation that is central to both the internet's remix culture and the generative materialism of African popular arts. |
588 | |
▼a Description based on online resource; title from digital title page (viewed on April 06, 2022). |
590 | |
▼a Added to collection customer.56279.3 |
650 | 0 |
▼a Internet and activism
▼z Nigeria. |
650 | 0 |
▼a Internet
▼x Social aspects
▼z Nigeria. |
650 | 0 |
▼a Politics and culture
▼z Nigeria. |
650 | 0 |
▼a Social media
▼x Political aspects
▼z Nigeria. |
650 | 6 |
▼a Internet et action directe
▼z Nigeria. |
650 | 6 |
▼a Internet
▼x Aspect social
▼z Nigeria. |
650 | 6 |
▼a Politique et culture
▼z Nigeria. |
650 | 6 |
▼a Me?dias sociaux
▼x Aspect politique
▼z Nigeria. |
651 | 0 |
▼a Nigeria
▼x Politics and government
▼y 2007- |
651 | 6 |
▼a Nigeria
▼x Politique et gouvernement
▼y 2007- |
655 | 4 |
▼a Electronic books. |
776 | 08 |
▼i Print version:
▼z 0253060494
▼z 9780253060495
▼z 0253060486
▼z 9780253060488
▼w (OCoLC)1249629571 |
856 | 40 |
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3175393 |
938 | |
▼a EBSCOhost
▼b EBSC
▼n 3175393 |
990 | |
▼a 관리자 |
994 | |
▼a 92
▼b N$T |