| LDR | | 05394cmm u2200649 i 4500 |
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| 003 | | OCoLC |
| 005 | | 20230613113932 |
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| 007 | | cr cn||||||||| |
| 008 | | 201006t20202020enk ob 101 0 eng d |
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▼a 1200579573 |
| 020 | |
▼a 9781474273206
▼q (electronic book) |
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▼a 1474273203
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▼a 9781474273213
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▼q (electronic book) |
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▼z 1474273181
▼q (hardcover) |
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▼z 9781474273220 |
| 024 | 7 |
▼a 10.5040/9781474273206
▼2 doi |
| 035 | |
▼a 2641142
▼b (N$T) |
| 035 | |
▼a (OCoLC)1199037395
▼z (OCoLC)1200579573 |
| 037 | |
▼a 9781474273206
▼b codeMantra |
| 040 | |
▼a BLOOM
▼b eng
▼e rda
▼e pn
▼c BLOOM
▼d OCLCO
▼d YDXIT
▼d YDX
▼d N$T
▼d OCLCF
▼d UKAHL
▼d UKMGB
▼d OCLCQ
▼d 248032 |
| 049 | |
▼a MAIN |
| 050 | 4 |
▼a PN2075
▼b .M533 2020 |
| 082 | 04 |
▼a 792.02/8
▼2 23 |
| 245 | 00 |
▼a Michael Chekhov technique in the twenty-first century :
▼b new pathways /
▼c edited by Cass Fleming and Tom Cornford.
▼h [electronic resource] |
| 250 | |
▼a First edition. |
| 264 | 1 |
▼a London ;
▼a New York :
▼b Methuen Drama,
▼c 2020. |
| 264 | 4 |
▼c 짤2020 |
| 300 | |
▼a 1 online resource (xii, 212 pages) |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 504 | |
▼a Includes bibliographical references and index. |
| 505 | 8 |
▼a Acknowledgements Contributing authors -- Introduction Chekhov Technique: Past, Present and Future, Cass Fleming Section One Chekhov Technique: Processes of Theatre Making -- Chapter 1 'Theatre of the Future': Chekhov Technique for Devised Theatre and Catalyst Direction, Cass Fleming -- Chapter 2 Actor-Dramaturgs and Atmospheric Dramaturgies: Chekhov Technique in Processes of Collaborative Playwriting, Tom Cornford Section Two Chekhov Technique: Beyond Acting -- Chapter 3 The Expressive Voice in Performance: Chekhov Technique for Voice and Singing, Daron Oram -- Chapter 4 'The moment you are not inwardly moving and inwardly participating, you are dead' : Chekhov Technique in Actor-Movement and Dance, Roanna Mitchell -- Chapter 5 Feeling Space, Making Space: Michael Chekhov's Approach to Theatre Design, Sina?d Rushe -- Section Three Chekhov Technique: Beyond the Theatre -- Chapter 6 -- 'If the new theatre is to have meaning, the audience too must play its part': Chekhov Technique in Applied, Therapeutic and Community Contexts, Caoimhe McAvinchey -- Cross-currents and conclusions -- Cross Currents and Conclusions, Cass Fleming and Tom Cornford -- Glossary -- Bibliography -- Index |
| 520 | 8 |
▼a "The culmination of an innovative practice-based research project, Michael Chekhov Technique in the Twenty-First Century: New Pathways draws on clusters of historical writings and archive materials to investigate how Chekhov's technique can be used for other areas of theatre-making practice. In contrast to the narrow, actor training-only analysis that characterized 20th-century explorations of the technique, authors Cass Fleming and Tom Cornford, along with contributions from Roanna Mitchell, Daron Oram, Caoimhe McAvinchey and Sinead Rushe, focus on a variety of disciplines. The central areas explored are: devising and catalyst direction; collaborating with playwrights; and scenographic practice, all of which are now at the forefront of international theatre practice. The book also addresses the potential use of the technique in relation to other areas of performer-training, as well as looking beyond the theatre to applied performance and therapeutic contexts. In addition to this practical analysis the authors consider the critical and theoretical issues that are raised by this practice. Chekhov's metaphors and use of language are interrogated and developed in a way that stays true to his principles and methods, but simultaneously engages with contemporary perspectives and critical frames. Michael Chekhov Technique in the Twenty-First Century: New Pathways is a thorough and fascinating investigation into new uses of the Michael Chekhov technique, providing practical strategies, principles, and techniques alongside theoretical discussion."--
▼c Provided by publisher |
| 532 | 0 |
▼a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily |
| 588 | 0 |
▼a Online resource; title from digital title page (viewed on October 20, 2020). |
| 590 | |
▼a Master record variable field(s) change: 050 |
| 600 | 10 |
▼a Chekhov, Michael,
▼d 1891-1955. |
| 600 | 17 |
▼a Chekhov, Michael,
▼d 1891-1955.
▼2 fast
▼0 (OCoLC)fst00116140 |
| 650 | 0 |
▼a Method acting. |
| 650 | 0 |
▼a Acting. |
| 650 | 7 |
▼a Acting techniques.
▼2 bicssc |
| 650 | 7 |
▼a Acting.
▼2 fast
▼0 (OCoLC)fst00796146 |
| 650 | 7 |
▼a Method acting.
▼2 fast
▼0 (OCoLC)fst01018629 |
| 655 | 4 |
▼a Electronic books. |
| 700 | 1 |
▼a Fleming, Cass,
▼e editor. |
| 700 | 1 |
▼a Cornford, Tom,
▼e editor. |
| 776 | 08 |
▼i Print version:
▼z 1474273181
▼z 9781474273183
▼w (OCoLC)1052869631 |
| 856 | 40 |
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2641142 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 2641142 |
| 990 | |
▼a 관리자 |
| 994 | |
▼a 92
▼b N$T |