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LDR04300cmm u2200589 i 4500
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008200113s2020 nyua ob 001 0 eng
010 ▼a 2019044712
020 ▼a 9780190071448 ▼q electronic book
020 ▼a 0190071443 ▼q electronic book
020 ▼a 0199988242 ▼q electronic book
020 ▼a 9780199988235 ▼q electronic book
020 ▼a 0199988234 ▼q electronic book
020 ▼a 9780199988242 ▼q (electronic bk.)
020 ▼z 9780199988211 ▼q hardcover
020 ▼z 9780199988228 ▼q paperback
035 ▼a 2451758 ▼b (N$T)
035 ▼a (OCoLC)1138996325
040 ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d OCLCO ▼d OCLCF ▼d EBLCP ▼d YDX ▼d OCLCQ ▼d N$T ▼d 248032
042 ▼a pcc
049 ▼a MAIN
05004 ▼a GV1588 ▼b .P35 2020
08200 ▼a 792.8 ▼2 23
1001 ▼a Pakes, Anna, ▼e author.
24510 ▼a Choreography invisible : ▼b the disappearing work of dance / ▼c Anna Pakes. ▼h [electronic resource]
264 1 ▼a New York, NY : ▼b Oxford University Press, ▼c [2020]
300 ▼a 1 online resource (xv, 360 pages) : ▼b illustrations (some color)
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b n ▼2 rdamedia
338 ▼a online resource ▼b nc ▼2 rdacarrier
4901 ▼a Oxford studies in dance theory
504 ▼a Includes bibliographical references and index.
5050 ▼a Early dances and ballets -- Action-ballet and ballet-pantomime -- Modern(ist) dances and modern work-concepts -- Post-modern works -- Works, actions and structures -- Are dance works real? -- Dance identity -- Drowning in Swan Lakes -- Changing dance works -- Films, recordings and screendance works -- The problem of lost works -- Recuperating loss? Reconstruction, reenactment and work-performance.
520 ▼a "Focusing on Western theatre dance, Choreography Invisible explores the metaphysics of dances and choreographic works. It draws on a range of resources from analytic philosophy of art to develop the argument that dances are repeatable structures of action. The book also analyses the idea of the dance work in long-term historical perspective. Tracing different ways in which dances have been conceptualised across time, the book considers changing notions of authorship, fixity, persistence and autonomy from the fifteenth century to the present day. The modern work-concept is interrogated, its relativity and contested status (particularly within contemporary dance practice) acknowledged. As the dance work disappears from contemporary discourse, what can be said about the kind of thing it is? Choreography invisible considers the materials of dance-making and the nature (and limits) of choreographic authorship. It explores issues of identity and persistence, including why distinct (and sometimes very various) performances are still treated as performances of the same work. The book examines how dances survive through time and what it means for a dance work to be lost, considering the extent to which practices of dance reconstruction and reenactment can recuperate or reconstitute lost choreography. The focus here is dance, but the book addresses issues with wider implications for the metaphysics of art, including how the historical relativity of art practices should inflect analytic arguments about the nature of art works, and what place such works have within a broader ontology of human and natural worlds"-- ▼c Provided by publisher.
588 ▼a Description based on online resource; title from digital title page (viewed on April 30, 2020).
590 ▼a Added to collection customer.56279.3
650 0 ▼a Dance ▼x Philosophy.
650 0 ▼a Choreography.
650 0 ▼a Ephemeral art.
650 7 ▼a Choreography. ▼2 fast ▼0 (OCoLC)fst00858600
650 7 ▼a Dance ▼x Philosophy. ▼2 fast ▼0 (OCoLC)fst00887437
650 7 ▼a Ephemeral art. ▼2 fast ▼0 (OCoLC)fst02003849
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Pakes, Anna. ▼t Choreography invisible ▼d New York, NY : Oxford University Press, [2020] ▼z 9780199988211 ▼w (DLC) 2019044711
830 0 ▼a Oxford studies in dance theory.
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2451758
938 ▼a EBSCOhost ▼b EBSC ▼n 2451758
990 ▼a 관리자
994 ▼a 92 ▼b N$T