| LDR | | 03291cmm u2200577Ii 4500 |
| 001 | | 000000320977 |
| 003 | | OCoLC |
| 005 | | 20230613105756 |
| 006 | | m d |
| 007 | | cr cnu---unuuu |
| 008 | | 180817s2019 nyu ob 001 0 eng d |
| 019 | |
▼a 1065877358
▼a 1071374827 |
| 020 | |
▼a 9780190497330
▼q (electronic book) |
| 020 | |
▼a 0190497335
▼q (electronic book) |
| 020 | |
▼a 9780190497316
▼q (electronic book) |
| 020 | |
▼a 0190497319
▼q (electronic book) |
| 020 | |
▼z 0190497300 |
| 020 | |
▼z 9780190497309 |
| 020 | |
▼z 9780190497293
▼q (print) |
| 035 | |
▼a 1933005
▼b (N$T) |
| 035 | |
▼a (OCoLC)1048945605
▼z (OCoLC)1065877358
▼z (OCoLC)1071374827 |
| 040 | |
▼a YDX
▼b eng
▼e rda
▼e pn
▼c YDX
▼d N$T
▼d UKOUP
▼d YOU
▼d YDXIT
▼d STF
▼d OH1
▼d OCLCQ
▼d CDN
▼d 248032 |
| 049 | |
▼a MAIN |
| 050 | 4 |
▼a ML410.E58
▼b L97 2019eb |
| 072 | 7 |
▼a MUS
▼x 023030
▼2 bisacsh |
| 072 | 7 |
▼a MUS
▼x 037080
▼2 bisacsh |
| 082 | 04 |
▼a 786.7
▼2 23 |
| 100 | 1 |
▼a Lysaker, John T.,
▼e author. |
| 245 | 10 |
▼a Brian Eno's Ambient 1 :
▼b Music for airports /
▼c John T. Lysaker.
▼h [electronic resource] |
| 260 | |
▼a New York, NY :
▼b Oxford University Press,
▼c [2019] |
| 300 | |
▼a 1 online resource (xiv, 165 pages). |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 490 | 1 |
▼a Oxford keynotes |
| 504 | |
▼a Includes bibliographical references and index. |
| 520 | 8 |
▼a This study situates Eno's ambient masterpiece, Music For Airports, within various avant-garde trends in order to underscore its multiple dimensions. In the manner of Satie, it aims to tint living situations without demanding that listeners give the album their full attention. In the manner of Cage, and with La Monte Young's feel for the textures of individual tones, it arranges the activity of sounds outside traditional Euro-American musical conventions, and in a manner that can spark a kind of thoughtful reverie, thus bringing art into vital, possibly transformative contact with everyday life. Finally, like some of Steve Reich's works, Music for Airports functions as a piece of conceptual art, facilitating sustained reflections on creativity, listening, and the overall ecology of human activity and meaning, including its technological variability. Because the album has these three distinct dimensions, it requires "prismatic listening," which switches between distinct modes of attention in the knowledge that these dimensions cannot be heard simultaneously. |
| 588 | 0 |
▼a Online resource; title from digital title page (viewed on December 12, 2018). |
| 590 | |
▼a Master record variable field(s) change: 050 |
| 600 | 10 |
▼a Eno, Brian,
▼d 1948-.
▼t Music for airports. |
| 650 | 7 |
▼a MUSIC
▼x Musical Instruments
▼x Piano & Keyboard.
▼2 bisacsh |
| 650 | 7 |
▼a MUSIC
▼x Printed Music
▼x Percussion.
▼2 bisacsh |
| 655 | 4 |
▼a Electronic books. |
| 776 | 08 |
▼i Print version:
▼z 0190497300
▼z 9780190497309
▼w (OCoLC)1042353448 |
| 830 | 0 |
▼a Oxford keynotes. |
| 856 | 40 |
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1933005 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 1933005 |
| 938 | |
▼a Oxford University Press USA
▼b OUPR
▼n EDZ0001953952 |
| 938 | |
▼a YBP Library Services
▼b YANK
▼n 15647705 |
| 938 | |
▼a YBP Library Services
▼b YANK
▼n 15835465 |
| 990 | |
▼a 관리자 |
| 994 | |
▼a 92
▼b N$T |