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019 ▼a 1202745276 ▼a 1203925358 ▼a 1203927149
020 ▼a 9780861969791 ▼q (electronic bk.)
020 ▼a 0861969790 ▼q (electronic bk.)
020 ▼a 9780861969807 ▼q (electronic bk.)
020 ▼a 0861969804 ▼q (electronic bk.)
020 ▼z 0861967488
020 ▼z 9780861967483
02802 ▼a EB00813137 ▼b Recorded Books
035 ▼a 2669366 ▼b (N$T)
035 ▼a (OCoLC)1202814514 ▼z (OCoLC)1202745276 ▼z (OCoLC)1203925358 ▼z (OCoLC)1203927149
037 ▼a 22573/ctv18r9wtq ▼b JSTOR
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049 ▼a MAIN
050 4 ▼a NX543
08204 ▼a 700.942 ▼2 23
1001 ▼a Curtis, David.
24510 ▼a London's arts labs and the 60s avant-garde ▼h [electronic resource] / ▼c David Curtis.
260 ▼a [S.l.] : ▼b John Libbey Publishing, ▼c 2020.
300 ▼a 1 online resource
520 ▼a This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967'69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko / John Latham / Takis / Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show / Freehold / Jane Arden's Vagina Rex and the Gas Oven / Will Spoor Mime Theatre). The Robert Street 'New Arts Lab' (1969'71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher / Malcolm Le Grice / Sally Potter / Carolee Schneemann / Peter Gidal). It staged J G Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances.The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response ' in the context of a popular press already hostile to youth culture, experimental art and the 'underground'. With a Foreword by Andrew Wilson, Curator Modern & Contemporary British Art and Archives, Tate Gallery.
588 ▼a Title from resource description page (Recorded Books, viewed November 02, 2020).
590 ▼a Added to collection customer.56279.3
650 0 ▼a Arts ▼z Great Britain ▼x Exhibitions ▼x History.
650 0 ▼a Experimental films ▼z Great Britain.
650 0 ▼a Experimental theater ▼z Great Britain.
650 7 ▼a ART / Film & Video. ▼2 bisacsh
650 7 ▼a Arts ▼x Exhibitions. ▼2 fast ▼0 (OCoLC)fst00817747
650 7 ▼a Experimental films. ▼2 fast ▼0 (OCoLC)fst00918452
650 7 ▼a Experimental theater. ▼2 fast ▼0 (OCoLC)fst00918508
651 7 ▼a Great Britain. ▼2 fast ▼0 (OCoLC)fst01204623
655 4 ▼a Electronic books.
655 7 ▼a History. ▼2 fast ▼0 (OCoLC)fst01411628
7102 ▼a Recorded Books, Inc.
77608 ▼i Print version: ▼z 0861967488 ▼z 9780861967483 ▼w (OCoLC)1144480515
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2669366
938 ▼a Recorded Books, LLC ▼b RECE ▼n rbeEB00813137
938 ▼a YBP Library Services ▼b YANK ▼n 301720600
938 ▼a YBP Library Services ▼b YANK ▼n 17092326
938 ▼a EBSCOhost ▼b EBSC ▼n 2669366
990 ▼a 관리자
994 ▼a 92 ▼b N$T