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008200303s2020 inu ob 001 0 eng
010 ▼a 2020010919
020 ▼a 9780253049988 ▼q (ebook)
020 ▼a 0253049989
020 ▼a 9780253052421 ▼q (electronic bk.)
020 ▼a 0253052424 ▼q (electronic bk.)
020 ▼z 9780253049971 ▼q (paperback)
020 ▼z 9780253049964 ▼q (hardback)
035 ▼a 2633643 ▼b (N$T)
035 ▼a (OCoLC)1145082361
037 ▼a 22573/ctv177433x ▼b JSTOR
040 ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d OCLCO ▼d OCLCQ ▼d OCLCF ▼d YDX ▼d JSTOR ▼d N$T ▼d 248032
042 ▼a pcc
049 ▼a MAIN
05000 ▼a ML1700
072 7 ▼a MUS ▼x 000000 ▼2 bisacsh
072 7 ▼a MUS ▼x 028000 ▼2 bisacsh
072 7 ▼a PER ▼x 019000 ▼2 bisacsh
072 7 ▼a PER ▼x 013000 ▼2 bisacsh
072 7 ▼a PHI ▼x 039000 ▼2 bisacsh
08200 ▼a 782.1 ▼2 23
1001 ▼a Penner, Nina, ▼e author.
24510 ▼a Storytelling in opera and musical theater / ▼c Nina Penner. ▼h [electronic resource]
260 ▼a Bloomington : ▼b Indiana University Press, ▼c 2020.
263 ▼a 2010
300 ▼a 1 online resource.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b n ▼2 rdamedia
338 ▼a online resource ▼b nc ▼2 rdacarrier
4901 ▼a Musical meaning and interpretation
504 ▼a Includes bibliographical references and index.
5050 ▼a Overture -- What Is a Narrative? -- Telling, Operatically -- Character-Narrators -- Orchestral Narration and Authorial Commentary -- Character-Focused Narration -- Works and Performances -- Performances of Works -- Performances as Works -- Finale.
520 ▼a "Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, she offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st century audiences"-- ▼c Provided by publisher.
588 ▼a Description based on print version record and CIP data provided by publisher; resource not viewed.
590 ▼a Added to collection customer.56279.3
650 0 ▼a Opera.
650 0 ▼a Musical theater.
650 0 ▼a Storytelling.
650 7 ▼a Musical theater. ▼2 fast ▼0 (OCoLC)fst01030807
650 7 ▼a Opera. ▼2 fast ▼0 (OCoLC)fst01046145
650 7 ▼a Storytelling. ▼2 fast ▼0 (OCoLC)fst01134169
650 7 ▼a MUSIC / General ▼2 bisacsh
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Penner, Nina. ▼t Storytelling in opera and musical theater ▼d Bloomington : Indiana University Press, 2020. ▼z 9780253049971 ▼w (DLC) 2020010918
830 0 ▼a Musical meaning and interpretation.
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2633643
938 ▼a YBP Library Services ▼b YANK ▼n 16981139
938 ▼a EBSCOhost ▼b EBSC ▼n 2633643
990 ▼a 관리자
994 ▼a 92 ▼b N$T