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LDR03651cmm u2200565Mi 4500
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006m d
007cr |n|||||||||
008210913s2021 enka ob 001 0 eng d
019 ▼a 1245472309
020 ▼a 9781912685806 ▼q (electronic bk.)
020 ▼a 1912685809 ▼q (electronic bk.)
020 ▼z 9781912685790
020 ▼z 1912685795
035 ▼a 2552830 ▼b (N$T)
035 ▼a (OCoLC)1280957059 ▼z (OCoLC)1245472309
040 ▼a YDX ▼b eng ▼e rda ▼e pn ▼c YDX ▼d YDXIT ▼d N$T ▼d UKAHL ▼d 248032
049 ▼a MAIN
050 4 ▼a ML3540.5 ▼b .B73 2021
050 4 ▼a ML3916 ▼b .B735 2021
08204 ▼a 781.64808996 ▼2 23
1001 ▼a Brar, Dhanveer Singh, ▼e author.
24510 ▼a Teklife, Ghettoville, Eski : ▼b the sonic ecologies of Black music in the early 21st century / ▼c Dhanveer Singh Brar. ▼h [electronic resource]
260 ▼a London : ▼b Goldsmiths Press, ▼c 2021.
300 ▼a 1 online resource (171 pages ) : ▼b illustrations.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼2 rdamedia
338 ▼a online resource ▼2 rdacarrier
4901 ▼a Sonics series
504 ▼a Includes bibliographical references and index.
5208 ▼a Teklife, Ghettoville, Eski' argues that Black electronic dance music produces sonic ecologies of Blackness that expose and reorder the contemporary racialization of the urban ecologies that can never be reduced simply to their geographical and racial context. Dhanveer Singh Brar makes the case for Black electronic dance music as the cutting-edge aesthetic project of the diaspora, which due to the music's class character makes it possible to reorganize life within the contemporary city. Closely analysing the Footwork scene in South and West Chicago, the Grime scene in East London, and the output of the South London producer Actress, Brar pays attention to the way each of these critically acclaimed musical projects experiments with aesthetic form through an experimentation of the social. Through explicitly theoretical means, Brar foregrounds the sonic specificity of 12" records, EPs, albums, radio broadcasts, and recorded performances to make the case that Footwork, Grime, and Actress dissolve racialized spatial constraints that are thought to surround Black social life. Pushing the critical debates concerning the phonic materiality of Blackness, undercommons, and aesthetic sociality in new directions, Brar rethinks these concepts through concrete examples of contemporary Black electronic dance music production that allows for a theorization of the way Footwork, Grime, and Actress have--through their experiments in Blackness--generated genuine alternatives to the functioning of the city under financialized racial capitalism.
588 ▼a Description based on print version record.
590 ▼a OCLC control number change
650 0 ▼a Electronic dance music ▼x Social aspects.
650 0 ▼a Blacks ▼x Music.
650 0 ▼a Music and race.
650 0 ▼a Music ▼x Social aspects.
650 7 ▼a Blacks. ▼2 fast ▼0 (OCoLC)fst00833880
650 7 ▼a Music and race. ▼2 fast ▼0 (OCoLC)fst01030486
650 7 ▼a Music ▼x Social aspects. ▼2 fast ▼0 (OCoLC)fst01030444
655 7 ▼a Music. ▼2 fast ▼0 (OCoLC)fst01423855
77608 ▼c Original ▼z 9781912685790 ▼z 1912685795 ▼w (OCoLC)1242800536
830 0 ▼a Goldsmiths Press sonics series.
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2552830
938 ▼a YBP Library Services ▼b YANK ▼n 302037266
938 ▼a Askews and Holts Library Services ▼b ASKH ▼n AH39138513
938 ▼a EBSCOhost ▼b EBSC ▼n 2552830
990 ▼a 관리자
994 ▼a 92 ▼b N$T