LDR | | 05379cmm u2200661Mi 4500 |
001 | | 000000320163 |
003 | | OCoLC |
005 | | 20230613104022 |
006 | | m d |
007 | | cr |n|---||||| |
008 | | 191207s2019 enk o 000 0 eng d |
019 | |
▼a 1129144829 |
020 | |
▼a 9781912685257 |
020 | |
▼a 1912685256 |
020 | |
▼z 9781912685165 |
020 | |
▼z 1912685167 |
035 | |
▼a 2319133
▼b (N$T) |
035 | |
▼a (OCoLC)1129215421
▼z (OCoLC)1129144829 |
040 | |
▼a EBLCP
▼b eng
▼e pn
▼c EBLCP
▼d OCLCQ
▼d YDX
▼d N$T
▼d OCLCF
▼d RECBK
▼d UKAHL
▼d OCLCO
▼d 248032 |
049 | |
▼a MAIN |
050 | 4 |
▼a NX650.S68 |
082 | 04 |
▼a 700.1/08
▼2 23 |
100 | 1 |
▼a Toop, David. |
245 | 10 |
▼a Inflamed Invisible :
▼b Collected Writings on Art and Sound, 1976-2018.
▼h [electronic resource] |
260 | |
▼a Cambridge :
▼b Goldsmiths, University London,
▼c 2019. |
300 | |
▼a 1 online resource (304 pages) |
336 | |
▼a text
▼b txt
▼2 rdacontent |
337 | |
▼a computer
▼b c
▼2 rdamedia |
338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
490 | 1 |
▼a Goldsmiths Press / Sonics Ser. ;
▼v v. 2 |
505 | 0 |
▼a Intro; Contents; Note to the reader; Introduction; 1 archiving clouds of sounding dust; Sonic Boom; Sonic Meditations: Pauline Oliveros; 2 spirits eruptions inflammations; sleep music, the underworld: on hearing A?ine O'Dwyer's Gallarais and the subsequent conversations between November 2016 and J; Stephen Cripps: Exploding Practice Inevitable; The Future Is Not Always Bright: Daphne Oram and Lily Greenham; The Sweat of Toads: Victor Grippo and Tania Chen; Joachim Koester: The Art of Memory and Forgetting; Notes; 3 hysteria machines ghosts tremors; Realm of the Senses, for Camille Norment |
505 | 8 |
▼a A Piercing Silence: James RichardsGilbert & George: The Singing Sculpture; Stick, Spit, Reed and Tubing: Writing on Seymour Wright; 4 holes traps bat caves moths fluttering; trap set: Haroon Mirza; crying: on Alvin Lucier's The Duke of York (1971); 5 soft edges flickers stitches traversal; The Woman Seen Sweeping the Sea: Annabel Nicolson escaping notice; memorising wilderness: Alvin Lucier; Mieko Shiomi, Spatial Poem No. 7 (At the time listed below listen to the sounds around you for a while); this is not a bee, it could be a kind of shadow: Rolf Julius; 6 ancestor voices memories distortion |
505 | 8 |
▼a ... I listen to the wind that obliterates my traces music in vernacular photographs 1880-1955: steve rodenDisplacing the Air: The Marfa Sessions, Christina Kubisch, Stephen Vitiello, Steve Roden, September 2008, curated by Regine B; apparitions in rayon: Mike Cooper; A Cat with Strange Fur: Akio Suzuki; Two Scenes: Lav Diaz; Lore? Lixenberg: Memory Maps; Lingering Tones: for Danny McCarthy's exhibition -- Beyond Silence: A Bell Rings in an Empty Sky, Crawford Art Gallery, Cork; Hot Tea from the Spout of a Black Pot: for O Yama O; 7 kwatz graaak blap wonnnng txtspl |
505 | 8 |
▼a Mmmmmmmm, wonnnng and woh: Music and Collaboration in the Work of Nathalie Djurberg and Hans Bergdsh: apophatic wu-ness; blatzwurds of deepwar plasma: the noise of Jeff Keen; raging dancing word destruction: Bob Cobbing; 8 listening moving marking; Sounds Passing Through Circumstances: Francis Aly?s; A Ghost Travelling a Half Mile Ahead of Its Own Shape: Faulkner and Caravaggio; Sound Thinking: Stuart Marshall; Live at The Filmmakers Co-op: Stuart Marshall; 9 nothing silence black not-black invisible; Less Is More; More Is More: Ryoji Ikeda; Black Is Black: Ad Reinhardt |
505 | 8 |
▼a It Is Nothing: Picasso's Guitarsno boundary condition: Shirazeh Houshiary; Nothing Hear: John Cage & John Latham; Folding: Lucie Stepankova; 10 clocks hearts nervous tic stutters; Painting in Slang: Christian Marclay; pink glisten for Carsten Nicolai; Automatic Writing: Robert Ashley, Cevdet Erek, Mary Butts, Dorothy Richardson; 11 agitations surfaces decomposition; Instruments of Non-Existence (through which Heaven and Earth Seek Reconciliation); Everything Is Vibrating: Hugh Davies; Filament Drums: the endless instrument, for Toma?s Saraceno |
505 | 8 |
▼a Tania Chen plays John Cage and David Tudor -- Electronic Music for Piano |
520 | |
▼a A rich collection of essays tracing the relationship between art and sound. |
588 | 0 |
▼a Print version record. |
590 | |
▼a Master record variable field(s) change: 050, 082, 650 - OCLC control number change |
650 | 0 |
▼a Art. |
650 | 0 |
▼a Sound. |
650 | 0 |
▼a Art and music. |
650 | 0 |
▼a Sound installations (Art) |
650 | 7 |
▼a ART / General.
▼2 bisacsh |
650 | 7 |
▼a Art.
▼2 fast
▼0 (OCoLC)fst00815177 |
650 | 7 |
▼a Art and music.
▼2 fast
▼0 (OCoLC)fst00815413 |
650 | 7 |
▼a Sound.
▼2 fast
▼0 (OCoLC)fst01126935 |
650 | 7 |
▼a Sound installations (Art)
▼2 fast
▼0 (OCoLC)fst01127006 |
655 | 4 |
▼a Electronic books. |
776 | 08 |
▼i Print version:
▼a Toop, David.
▼t Inflamed Invisible : Collected Writings on Art and Sound, 1976-2018.
▼d Cambridge : Goldsmiths, University London, 짤2019
▼z 9781912685165 |
830 | 0 |
▼a Goldsmiths Press / Sonics Ser. |
856 | 40 |
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2319133 |
938 | |
▼a ProQuest Ebook Central
▼b EBLB
▼n EBL5986874 |
938 | |
▼a Askews and Holts Library Services
▼b ASKH
▼n AH37777190 |
938 | |
▼a Recorded Books, LLC
▼b RECE
▼n rbeEB00828667 |
938 | |
▼a EBSCOhost
▼b EBSC
▼n 2319133 |
938 | |
▼a YBP Library Services
▼b YANK
▼n 300976928 |
990 | |
▼a 관리자 |
994 | |
▼a 92
▼b N$T |