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006m d
007cr cnu|||unuuu
008191211s2020 mau o 000 0 eng d
020 ▼a 9780262357494 ▼q (electronic bk.)
020 ▼a 0262357496 ▼q (electronic bk.)
020 ▼z 9780262043670
035 ▼a 2378910 ▼b (N$T)
035 ▼a (OCoLC)1130309792
037 ▼a 12603 ▼b MIT Press
037 ▼a 9780262357494 ▼b MIT Press
040 ▼a MITPR ▼b eng ▼e rda ▼e pn ▼c MITPR ▼d OCLCF ▼d YDX ▼d EBLCP ▼d N$T ▼d 248032
049 ▼a MAIN
050 4 ▼a PN56.V54 ▼b .S74 2020eb
08204 ▼a 709.04/058 ▼2 23
1001 ▼a Stephens, Paul, ▼d 1974-, ▼e author.
24510 ▼a Absence of clutter : ▼b minimal writing as art and literature / ▼c Paul Stephens.
260 ▼a Cambridge : ▼b The MIT Press, ▼c [2020]
300 ▼a 1 online resource (288 pages).
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
520 ▼a An exploration of minimal writing--texts generally shorter than a sentence--as complex, powerful literary and visual works. In the 1960s and 70s, minimal and conceptual artists stripped language down to its most basic components: the word and the letter. Barbara Kruger, Jenny Holzer, Carl Andre, Lawrence Weiner, and others built lucrative careers from text-based art. Meanwhile, poets and writers created works of minimal writing--visual texts generally shorter than a sentence. (One poem by Aram Saroyan reads in its entirety: eyeye.) In absence of clutter , Paul Stephens offers the first comprehensive account of minimal writing, arguing that it is equal in complexity and power to better-known, more commercial text-based art. Minimal writing, Stephens writes, can be beguilingly simple on the surface, but can also offer iterative reading experiences on multiple levels, from the fleeting to the ponderous. "absence of clutter," for example, the entire text of a poem by Robert Grenier, is both expressive and self-descriptive. Stephens first sets out a theoretical framework for reading and viewing minimal writing and then offers close readings of works of minimal writing by Saroyan, Grenier, Norman Pritchard, Natalie Czech, and others. He "reverse engineers" recent works by Jen Bervin, Craig Dworkin, and Christian Bk牽 that draw on molecular biology, and explores print-on-demand books by Holly Melgard, code poetry by Nick Montfort, Twitter-based work by Allison Parrish, and the use of Instagram by Hans-Ulrich Obrist and Saroyan. Text, it seems, is becoming ever more prevalent in visual art; meanwhile, poems are getting shorter. When reading has become scanning a screen and writing tapping out a text, absence of clutter invites us to reflect on how we read, see, and pay attention.
5880 ▼a Title details screen.
590 ▼a Added to collection customer.56279.3
650 0 ▼a Visual literature ▼x History and criticism.
650 0 ▼a Minimalism (Literature)
650 0 ▼a Art and literature.
650 7 ▼a Art and literature. ▼2 fast ▼0 (OCoLC)fst00815400
650 7 ▼a Minimalism (Literature) ▼2 fast ▼0 (OCoLC)fst01022851
650 7 ▼a Visual literature. ▼2 fast ▼0 (OCoLC)fst01168041
655 4 ▼a Electronic books.
655 7 ▼a Criticism, interpretation, etc. ▼2 fast ▼0 (OCoLC)fst01411635
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2378910
938 ▼a ProQuest Ebook Central ▼b EBLB ▼n EBL6120946
938 ▼a YBP Library Services ▼b YANK ▼n 301119960
938 ▼a EBSCOhost ▼b EBSC ▼n 2378910
990 ▼a 관리자
994 ▼a 92 ▼b N$T