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006m d
007cr |||||||||||
008180910s2018 inua obq s001 0 eng
010 ▼a 2018043609
019 ▼a 1083641734
020 ▼a 9780253038043 ▼q electronic book
020 ▼a 0253038049 ▼q electronic book
020 ▼a 9780253038067 ▼q electronic book
020 ▼a 0253038065 ▼q electronic book
020 ▼z 9780253038029 ▼q hardcover ▼q alkaline paper
020 ▼z 9780253038036 ▼q paperback
035 ▼a 2012598 ▼b (N$T)
035 ▼a (OCoLC)1051775391 ▼z (OCoLC)1083641734
037 ▼a 22573/ctvbm8470 ▼b JSTOR
040 ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d OCLCO ▼d OCLCF ▼d OCLCA ▼d YDX ▼d JSTOR ▼d EBLCP ▼d N$T ▼d UAB ▼d YDX ▼d 248032
042 ▼a pcc
043 ▼a e-gx---
049 ▼a MAIN
05014 ▼a PN1993.5.G3 ▼b L32 2018
072 7 ▼a PER ▼x 004030 ▼2 bisacsh
08200 ▼a 791.430943/155 ▼2 23
1001 ▼a Landry, Olivia, ▼e author.
24510 ▼a Movement and performance in Berlin School cinema / ▼c Olivia Landry. ▼h [electronic resource]
260 1 ▼a Bloomington, Indiana : ▼b Indiana University Press, ▼c [2018]
300 ▼a 1 online resource (ix, 215 pages).
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
4901 ▼a New directions in national cinemas
504 ▼a Includes bibliographical references and index.
5050 ▼a Media, death, and liveness -- Theatricality bleeds, the presence of dance -- Between movement and affect : the body's shared point of sense -- Accelerating performance : from car travel to car crash -- Nina Hoss's performance of the fugitive body; or, what to do with movement.
520 ▼a "Through a study of the contemporary German film movement, the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect--all of which are viewed as critical components of live performance--can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of "slow cinema," Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers--such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochha?usler--invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema"-- ▼c Provided by publisher.
588 ▼a Description based on online resource; title from digital title page (viewed on April 04, 2019).
590 ▼a Master record variable field(s) change: 050
650 0 ▼a Motion pictures ▼z Germany ▼z Berlin ▼x History.
650 0 ▼a Movement (Acting) ▼x History.
650 7 ▼a Motion pictures. ▼2 fast ▼0 (OCoLC)fst01027285
650 7 ▼a Movement (Acting) ▼2 fast ▼0 (OCoLC)fst01028489
650 7 ▼a PERFORMING ARTS / Film & Video / History & Criticism ▼2 bisacsh
651 7 ▼a Germany ▼z Berlin. ▼2 fast ▼0 (OCoLC)fst01204829
655 4 ▼a Electronic books.
655 7 ▼a History. ▼2 fast ▼0 (OCoLC)fst01411628
77608 ▼i Print version: ▼a Landry, Olivia, author. ▼t Movement and performance in Berlin School cinema ▼d Bloomington, Indiana : Indiana University Press, [2019] ▼z 9780253038029 ▼w (DLC) 2018019386
830 0 ▼a New directions in national cinemas.
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2012598
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL5652174
938 ▼a YBP Library Services ▼b YANK ▼n 16007581
938 ▼a EBSCOhost ▼b EBSC ▼n 2012598
990 ▼a 관리자
994 ▼a 92 ▼b N$T