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006m d
007cr cnu---unuuu
008180309s2018 inu ob 001 0 eng d
020 ▼a 9780253032669 ▼q (electronic bk.)
020 ▼a 0253032660 ▼q (electronic bk.)
020 ▼z 025303504X
020 ▼z 9780253035042
035 ▼a 1730521 ▼b (N$T)
035 ▼a (OCoLC)1028050194
037 ▼a 22573/ctt213cp8z ▼b JSTOR
040 ▼a JSTOR ▼b eng ▼e rda ▼e pn ▼c JSTOR ▼d EBLCP ▼d P@U ▼d N$T ▼d 248032
043 ▼a e-ur---
049 ▼a MAIN
050 4 ▼a PN1995.7
072 7 ▼a PER ▼x 009000 ▼2 bisacsh
08204 ▼a 791.4302/4 ▼2 23
1001 ▼a Kaganovsky, Lilya, ▼e author.
24514 ▼a The voice of technology : ▼b Soviet cinema's transition to sound, 1928-1935 / ▼c Lilya Kaganovsky. ▼h [electronic resource]
260 1 ▼a Bloomington, Indiana : ▼b Indiana University Press, ▼c [2018]
300 ▼a 1 online resource.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
504 ▼a Includes bibliographical references and index.
5050 ▼a Cover; THE VOICE OF TECHNOLOGY; Title; Copyright; Dedication; CONTENTS; Acknowledgments; Note on Translation and Transliteration; Prologue; Introduction: The Long Transition: Soviet Cinema and the Coming of Sound; one The Voice of Technology and the End of Soviet Silent Film: Grigori Kozintsev and Leonid Trauberga?#x80;#x99;s Alone; two The Materiality of Sound: Dziga Vertova?#x80;#x99;s Enthusiasm and Esfir Shuba?#x80;#x99;s K.Sh.E.; three The Homogeneous Thinking Subject, or Soviet Cinema Learns to Sing: Igor Savchenkoa?#x80;#x99;s The Accordion
5058 ▼a Four Multilingualism and Heteroglossia in Aleksandr Dovzhenkoa?#x80;#x99;s Ivan and Aerogradfive a?#x80;#x9C;Les Silences de la voixa?#x80;#x9D;: Dziga Vertova?#x80;#x99;s Three Songs of Lenin; Conclusion: Socialist Realist Sound; Works Cited; Index
520 ▼a As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically influenced the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. By exploring numerous examples of films from this transitional period, Kaganovsky demonstrates the importance of the new technology of sound in producing and imposing the "Soviet Voice."
5880 ▼a Print version record.
590 ▼a Added to collection customer.56279.3 - Master record variable field(s) change: 072
650 0 ▼a Sound motion pictures ▼z Soviet Union ▼x History.
650 0 ▼a Motion pictures ▼z Soviet Union.
650 0 ▼a Motion picture industry ▼z Soviet Union.
650 0 ▼a Motion pictures ▼x Political aspects ▼z Soviet Union.
650 7 ▼a PERFORMING ARTS / Reference ▼2 bisacsh
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a KAGANOVSKY, LILYA. ▼t VOICE OF TECHNOLOGY. ▼d [Place of publication not identified] : INDIANA UNIV PRESS, 2018 ▼z 025303504X ▼w (OCoLC)1007083608
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1730521
938 ▼a Project MUSE ▼b MUSE ▼n muse67457
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL5314508
938 ▼a EBSCOhost ▼b EBSC ▼n 1730521
990 ▼a 관리자
994 ▼a 92 ▼b N$T