| LDR | | 03168cmm u2200553Ma 4500 |
| 001 | | 000000313660 |
| 003 | | OCoLC |
| 005 | | 20230525155141 |
| 006 | | m d |
| 007 | | cr |n||||||||| |
| 008 | | 170407s2017 stka obq 001 0 eng d |
| 019 | |
▼a 981861427 |
| 020 | |
▼a 9781474415231
▼q (electronic bk.) |
| 020 | |
▼a 1474415237
▼q (electronic bk.) |
| 020 | |
▼z 9781474415224 |
| 020 | |
▼z 1474415229 |
| 035 | |
▼a 1584969
▼b (N$T) |
| 035 | |
▼a (OCoLC)981592086
▼z (OCoLC)981861427 |
| 037 | |
▼a 22573/ctt1kzhcn5
▼b JSTOR |
| 040 | |
▼a YDX
▼b eng
▼c YDX
▼d JSTOR
▼d IYU
▼d OCLCF
▼d N$T
▼d 248032 |
| 049 | |
▼a MAIN |
| 050 | 4 |
▼a PN1995.9.V5
▼b T39 2017eb |
| 072 | 7 |
▼a PER004040
▼2 bisacsh |
| 072 | 7 |
▼a PER004030
▼2 bisacsh |
| 072 | 7 |
▼a PER004000
▼2 bisacsh |
| 082 | 04 |
▼a 791.43/655
▼2 23 |
| 100 | 1 |
▼a Taylor, Alison. |
| 245 | 10 |
▼a Troubled everyday
▼h [electronic resource] :
▼b the aesthetics of violence and the everyday in European art cinema /
▼c Alison Taylor. |
| 260 | |
▼a Edinburgh :
▼b Edinburgh University Press,
▼c c2017. |
| 300 | |
▼a 1 online resource (137 pages) :
▼b illustrations |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 504 | |
▼a Includes bibliographical references and index. |
| 504 | |
▼a Includes filmography. |
| 520 | |
▼a Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like Catherine Breillat's Fat Girl (2001), Gaspar Noe's Irreversible (2002) and Markus Schleinzer's Michael (2011) seem so reliant on everyday routines and settings for their impact? Addressing these questions through a series of case-studies, and considering notorious films in their historical and philosophical context, Alice Taylor offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination. Case Studies include: Salo or the 120 Days of Sodom (Pasolini 1975) Money (Bresson 1983 Come and See (Klimov 1985) The Seventh Continent (Haneke 1989) I Stand Alone (Noe 1998) Fat Girl (Breillat 2001) Irreversible (Noe 2002)Twentynine Palms (Dumont 2003) Michael (Schleinzer 2011). |
| 590 | |
▼a Added to collection customer.56279.3 |
| 650 | 0 |
▼a Violence in motion pictures. |
| 650 | 0 |
▼a Motion pictures
▼z Europe. |
| 650 | 7 |
▼a PERFORMING ARTS / Film & Video / Reference
▼2 bisacsh |
| 650 | 7 |
▼a Motion pictures.
▼2 fast
▼0 (OCoLC)fst01027285 |
| 650 | 7 |
▼a Violence in motion pictures.
▼2 fast
▼0 (OCoLC)fst01167293 |
| 651 | 7 |
▼a Europe.
▼2 fast
▼0 (OCoLC)fst01245064 |
| 655 | 4 |
▼a Electronic books. |
| 776 | 08 |
▼i Print version:
▼z 9781474415224
▼z 1474415229
▼w (OCoLC)961798617 |
| 856 | 40 |
▼3 EBSCOhost
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1584969 |
| 938 | |
▼a YBP Library Services
▼b YANK
▼n 13954122 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 1584969 |
| 990 | |
▼a 관리자 |
| 994 | |
▼a 92
▼b N$T |