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LDR04072cmm u2200625Ii 4500
001000000313169
003OCoLC
00520230525153932
006m d
007cr cnu---unuuu
008171110s2017 maua ob 001 0 eng d
020 ▼a 9780262343367 ▼q (electronic bk.)
020 ▼a 0262343363 ▼q (electronic bk.)
020 ▼z 9780262037020
020 ▼z 0262037025
035 ▼a 1629095 ▼b (N$T)
035 ▼a (OCoLC)1011094457
040 ▼a N$T ▼b eng ▼e rda ▼e pn ▼c N$T ▼d N$T ▼d YDX ▼d IDEBK ▼d EBLCP ▼d OCLCF ▼d CSAIL ▼d ORU ▼d 248032
049 ▼a MAIN
050 4 ▼a TR183 ▼b .Z95 2017eb
072 7 ▼a COM ▼x 087030 ▼2 bisacsh
072 7 ▼a PHO ▼x 017000 ▼2 bisacsh
072 7 ▼a TEC ▼x 015000 ▼2 bisacsh
08204 ▼a 770 ▼2 23
1001 ▼a Zylinska, Joanna, ▼d 1971-, ▼e author.
24510 ▼a Nonhuman photography / ▼c Joanna Zylinska.
260 ▼a Cambridge, MA : ▼b The MIT Press, ▼c [2017]
300 ▼a 1 online resource (viii, 257 pages) : ▼b illustrations.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
504 ▼a Includes bibliographical references and index.
5050 ▼a Nonhuman vision -- The creative power of nonhuman photography -- Photography after the human -- Photography and extinction -- Ecomedia between extinction and obsolescence -- We have always been digital.
520 ▼a "Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element -- that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force. Zylinska explores the potential of photography for developing new modes of seeing and imagining, and presents images from her own photographic project, Active Perceptual Systems. She also examines the challenges posed by digitization to established notions of art, culture, and the media. In connecting biological extinction and technical obsolescence, and discussing the parallels between photography and fossilization, she proposes to understand photography as a light-induced process of fossilization across media and across time scales."--Provided by publisher.
5880 ▼a Description based on online resource; title from PDF title page (EBSCO, viewed November 10, 2017).
590 ▼a Master record variable field(s) change: 650
650 0 ▼a Photography ▼x Philosophy.
650 0 ▼a Hidden camera photography.
650 0 ▼a Electronic surveillance.
650 0 ▼a Automatic machinery.
650 0 ▼a Extinction (Biology)
650 7 ▼a COMPUTERS / Digital Media / Photography ▼2 bisacsh
650 7 ▼a PHOTOGRAPHY / Reference ▼2 bisacsh
650 7 ▼a TECHNOLOGY & ENGINEERING / Imaging Systems ▼2 bisacsh
650 7 ▼a Electronic surveillance. ▼2 fast ▼0 (OCoLC)fst00907477
650 7 ▼a Extinction (Biology) ▼2 fast ▼0 (OCoLC)fst00918969
650 7 ▼a Hidden camera photography. ▼2 fast ▼0 (OCoLC)fst01740845
650 7 ▼a Photography ▼x Philosophy. ▼2 fast ▼0 (OCoLC)fst01061781
655 4 ▼a Electronic books.
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1629095
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL5132016
938 ▼a ProQuest MyiLibrary Digital eBook Collection ▼b IDEB ▼n cis39272927
938 ▼a YBP Library Services ▼b YANK ▼n 14976895
938 ▼a EBSCOhost ▼b EBSC ▼n 1629095
990 ▼a 관리자
994 ▼a 92 ▼b N$T