MARC보기
LDR04216cmm u2200601Ki 4500
001000000312764
003OCoLC
00520230525152957
006m d
007cr cnu---unuuu
008160901s2016 mau ob 001 0 eng d
019 ▼a 957683623
020 ▼a 9780262335447 ▼q (electronic bk.)
020 ▼a 0262335441 ▼q (electronic bk.)
020 ▼z 9780262034852
020 ▼z 0262034859
035 ▼a (OCoLC)957590578 ▼z (OCoLC)957683623
040 ▼a N$T ▼b eng ▼e rda ▼e pn ▼c N$T ▼d P@U ▼d IDEBK ▼d EBLCP ▼d YDX ▼d 248032
049 ▼a MAIN
050 4 ▼a ML3836 ▼b .H87 2016eb
072 7 ▼a MUS ▼x 041000 ▼2 bisacsh
08204 ▼a 781.4/2 ▼2 23
1001 ▼a Huron, David Brian.
24510 ▼a Voice leading : ▼b the science behind the musical art / ▼c David Huron.
260 ▼a Cambridge, MA : ▼b MIT Press, ▼c [2016]
300 ▼a 1 online resource.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
504 ▼a Includes bibliographical references and index.
5050 ▼a Preface; 1 Introduction; Plan; 2 The Canon; Rules of Voice Leading Reviewed; 3 Sources and Images; Hearing; The Packaging of Partials; Localization Cues; The Pleasures of Stereo; The Theater of the Mind; Auditory Streams; The Pleasures of Puzzle Solving; Reprise; 4 Principles of Image Formation; Harmonicity; Harmonic Fusion; Toneness; Reprise; 5 Auditory Masking; More about Masking; Auditory Irritation; Consonance; Reprise; 6 Connecting the Dots; Continuity; Pitch Proximity; Melodic Motion: The Yodel Boundary; Pitch Co-Modulation; Reprise; 7 Preference Rules
5058 ▼a Preference Rules from Multiple PrinciplesReprise; 8 Types of Part-Writing; Onset Synchrony; Why Does Homophony Exist?; Yet More Preference Rules; Scene Density; Timbre; Source Location; Reprise; 9 Embellishing Tones; Turn Taking; Reprise; 10 The Feeling of Leading; Time's Arrow; Going Somewhere: Voice Leading; Imitative Part-Writing; Pause; Reprise; 11 Chordal-Tone Doubling; Reprise; 12 Direct Intervals Revisited; The Muddled Middle; Reprise; 13 Hierarchical Streams; The Harmonic Forest; Reprise; 14 Scene Setting; Acousmatic Scenes; Designing Musical Scenes; Why the Baroque Canon?; Reprise
5058 ▼a 15 The Cultural ConnectionThe Sound of Speech; Language and Closure; A Lesson; Reprise; 16 Ear Teasers; Musical Scene Analysis; Plural Pleasures: Accommodating Multiple Goals; Reprise; 17 Conclusion; Pleasure; Setting Scenes; A Revised Voice-Leading Canon; Performance Considerations; Coda; Afterword; Acknowledgments; Notes; 1 Introduction; 2 The Canon; 3 Sources and Images; 4 Principles of Image Formation; 5 Auditory Masking; 6 Connecting the Dots; 7 Preference Rules; 8 Types of Part-Writing; 9 Embellishing Tones; 10 The Feeling of Leading; 11 Chordal-Tone Doubling
5058 ▼a 12 Direct Intervals Revisited13 Hierarchical Streams; 14 Scene Setting; 15 The Cultural Connection; 16 Ear Teasers; 17 Conclusion; Afterword; References; Index
520 ▼a An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others.
5880 ▼a Print version record.
590 ▼a Master record variable field(s) change: 050, 082, 650
650 0 ▼a Harmony.
650 0 ▼a Music ▼x Psychological aspects.
650 0 ▼a Musical perception.
650 7 ▼a Harmony. ▼2 fast ▼0 (OCoLC)fst00951531
650 7 ▼a Music ▼x Psychological aspects. ▼2 fast ▼0 (OCoLC)fst01030418
650 7 ▼a Musical perception. ▼2 fast ▼0 (OCoLC)fst01030788
650 7 ▼a MUSIC / Instruction & Study / Theory ▼2 bisacsh
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Huron, David Brian. ▼t Voice leading. ▼d Cambridge, MA : MIT Press, [2016] ▼z 9780262034852 ▼w (DLC) 2016004808 ▼w (OCoLC)937999182
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1344315
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL4662063
938 ▼a Ingram Digital eBook Collection ▼b IDEB ▼n cis35760295
938 ▼a EBSCOhost ▼b EBSC ▼n 1344315
938 ▼a Project MUSE ▼b MUSE ▼n muse53711
938 ▼a YBP Library Services ▼b YANK ▼n 13147221
990 ▼a 관리자
994 ▼a 92 ▼b N$T