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LDR03802cmm u2200601Ki 4500
001000000312418
003OCoLC
00520230525152221
006m d
007cr cnu---unuuu
008180613s2016 enkac ob 000 0 eng d
020 ▼a 9781846381744 ▼q (electronic bk.)
020 ▼a 1846381746 ▼q (electronic bk.)
020 ▼z 1846381711
020 ▼z 9781846381713
035 ▼a 1829115 ▼b (N$T)
035 ▼a (OCoLC)1040032370
040 ▼a N$T ▼b eng ▼e rda ▼e pn ▼c N$T ▼d 248032
043 ▼a n-us---
049 ▼a MAIN
050 4 ▼a N6537.M38 ▼b H83 2016eb
072 7 ▼a ART ▼x 015000 ▼2 bisacsh
080 ▼a 7 MART HUD
08204 ▼a 759.13 ▼2 23
1001 ▼a Hudson, Suzanne Perling, ▼d 1977-, ▼e author.
24510 ▼a Agnes Martin : ▼b night sea / ▼c Suzanne Hudson ; editor: Caroline Woodley.
24630 ▼a Night sea
260 ▼a London : ▼b Afterall Books, ▼c 2016.
300 ▼a 1 online resource (96 pages) : ▼b illustrations (chiefly color), portraits.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
4901 ▼a One work
504 ▼a Includes bibliographical references.
50500 ▼g Machine generated contents note: ▼t Chapter 1 -- ▼t Chapter 2.
520 ▼a Agnes Martin's Night Sea (1963) is a large canvas of hand-drawn rectangular grids painted in luminous blue and gold. In this illustrated study, Suzanne Hudson presents the painting as the work of an artist who was also a thinker, poet, and writer for whom self-presentation was a necessary part of making her works public. With Night Sea, Hudson argues, Martin (1912--2004) created a shimmering realization of control and loss that stands alone within her suite of classic grid paintings as an exemplary and exceptional achievement. Hudson offers a close examination of Night Sea and its position within Martin's long and prolific career, during which the artist destroyed many works as she sought forms of perfection within self-imposed restrictions of color and line. For Hudson, Night Sea stands as the last of Martin's process-based works before she turned from oil to acrylic and sought to express emotions of lightness and purity unburdened by evidence of human struggle. Drawing from a range of archival records, Hudson attempts to draw together the facts surrounding the work, which were at times obfuscated by the artist's desire for privacy. Critical responses of the time give a sense of the impact of the work and that which followed it. Texts by peers including Lenore Tawney, Donald Judd, and Lucy Lippard are presented alongside interviews with a number of Martin's friends and keepers of estates, such as the publisher Ronald Feldman and Kathleen Mangan of the Lenore Tawney archive, which holds correspondence between Martin and Tawney.
5880 ▼a Print version record.
590 ▼a Added to collection customer.56279.3
60010 ▼a Martin, Agnes, ▼d 1912-2004 ▼x Criticism and interpretation.
60010 ▼a Martin, Agnes, ▼d 1912-2004. ▼t Night Sea.
60016 ▼a Martin, Agnes, ▼d 1912-2004 ▼x Critique et interpre?tation.
650 0 ▼a Painting, American ▼y 20th century ▼v Exhibitions.
650 0 ▼a Minimal art ▼z United States ▼v Exhibitions.
650 0 ▼a Painting, Abstract ▼z United States ▼v Exhibitions.
650 7 ▼a ART / History / General ▼2 bisacsh
655 4 ▼a Electronic books.
7001 ▼a Woodley, Caroline, ▼e editor.
7102 ▼a Afterall, ▼e publisher.
77608 ▼i Print version: ▼a Hudson, Suzanne Perling, 1977- ▼t Agnes Martin. ▼d London : Afterall Books, 2016 ▼z 1846381711 ▼w (DLC) 2017286181 ▼w (OCoLC)946160293
830 0 ▼a One work.
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1829115
938 ▼a EBSCOhost ▼b EBSC ▼n 1829115
990 ▼a 관리자
994 ▼a 92 ▼b N$T