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008161004s2017 nyu ob 001 0 eng
010 ▼a 2016045819
019 ▼a 985961155 ▼a 987315017 ▼a 988046277 ▼a 988381811 ▼a 991101877 ▼a 992537983
020 ▼a 9781501325762 ▼q (electronic bk.)
020 ▼a 1501325760 ▼q (electronic bk.)
020 ▼z 9781501325779
020 ▼z 1501325779
020 ▼z 9781501325755 ▼q (hardback ; ▼q alk. paper)
020 ▼z 1501325752
035 ▼a (OCoLC)959965530 ▼z (OCoLC)985961155 ▼z (OCoLC)987315017 ▼z (OCoLC)988046277 ▼z (OCoLC)988381811 ▼z (OCoLC)991101877 ▼z (OCoLC)992537983
040 ▼a DLC ▼b eng ▼e rda ▼e pn ▼c DLC ▼d OCLCO ▼d OCLCF ▼d N$T ▼d YDX ▼d EBLCP ▼d IDEBK ▼d OCLCQ ▼d 248032
042 ▼a pcc
043 ▼a n-us---
049 ▼a MAIN
05010 ▼a ND1460.M38
072 7 ▼a ART ▼x 060000 ▼2 bisacsh
072 7 ▼a ART ▼x 025000 ▼2 bisacsh
08200 ▼a 700/.45211 ▼2 23
1001 ▼a Boylan, Alexis L., ▼e author.
24510 ▼a Ashcan art, whiteness, and the unspectacular man / ▼c Alexis Boylan.
263 ▼a 1704
264 1 ▼a New York : ▼b Bloomsbury Academic, ▼c 2017.
300 ▼a 1 online resource
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b n ▼2 rdamedia
338 ▼a online resource ▼b nc ▼2 rdacarrier
504 ▼a Includes bibliographical references and index.
5050 ▼a What are you looking at? Bodies, desire, and portraits -- Working hard or hardly working? Labor, race, and manhood -- Sex sells: Desire, money, and male bodies -- Men seeking men.
5208 ▼a Arriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States.
5880 ▼a Print version record and CIP data provided by publisher; resource not viewed.
590 ▼a eBooks on EBSCOhost ▼b All EBSCO eBooks
648 7 ▼a 1800-1999 ▼2 fast
650 0 ▼a Masculinity in art.
650 0 ▼a Ashcan school of art.
650 0 ▼a Painting, American ▼y 19th century ▼x Themes, motives.
650 0 ▼a Painting, American ▼y 20th century ▼x Themes, motives.
650 0 ▼a Art and society ▼z United States ▼x History ▼y 19th century.
650 0 ▼a Art and society ▼z United States ▼x History ▼y 20th century.
650 7 ▼a ART ▼x Performance. ▼2 bisacsh
650 7 ▼a ART ▼x Reference. ▼2 bisacsh
650 7 ▼a Art and society. ▼2 fast ▼0 (OCoLC)fst00815432
650 7 ▼a Ashcan school of art. ▼2 fast ▼0 (OCoLC)fst00818531
650 7 ▼a Masculinity in art. ▼2 fast ▼0 (OCoLC)fst01011039
650 7 ▼a Painting, American ▼x Themes, motives. ▼2 fast ▼0 (OCoLC)fst01050660
651 7 ▼a United States. ▼2 fast ▼0 (OCoLC)fst01204155
655 4 ▼a Electronic books.
655 7 ▼a History. ▼2 fast ▼0 (OCoLC)fst01411628
77608 ▼i Print version: ▼a Boylan, Alexis L. ▼t Ashcan art, whiteness, and the unspectacular man. ▼d New York : Bloomsbury Academic, 2017 ▼z 9781501325755 ▼w (DLC) 2016045135
85640 ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1475912
938 ▼a ProQuest MyiLibrary Digital eBook Collection ▼b IDEB ▼n cis37722495
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL4815072
938 ▼a EBSCOhost ▼b EBSC ▼n 1475912
938 ▼a ProQuest MyiLibrary Digital eBook Collection ▼b IDEB ▼n cis37722495
938 ▼a YBP Library Services ▼b YANK ▼n 13528661
938 ▼a YBP Library Services ▼b YANK ▼n 14240890
990 ▼a 관리자