| LDR | | 05408cmm u2200673Mi 4500 |
| 001 | | 000000310016 |
| 003 | | OCoLC |
| 005 | | 20230525135218 |
| 006 | | m d |
| 007 | | cr ||||||||||| |
| 008 | | 160201s2015 xxk o 000 0 eng d |
| 019 | |
▼a 924632165
▼a 951223713 |
| 020 | |
▼a 9781443884259
▼q Electronic book (PDF format) |
| 020 | |
▼a 1443884251 |
| 020 | |
▼z 9781443866903 |
| 020 | |
▼z 1443866903 |
| 020 | |
▼z 9781443868174 |
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▼z 1443868175 |
| 020 | |
▼z 9781443877084 |
| 020 | |
▼z 1443877085 |
| 035 | |
▼a (OCoLC)955207298
▼z (OCoLC)924632165
▼z (OCoLC)951223713 |
| 037 | |
▼a 9781443884259
▼b Cambridge Scholars Publishing |
| 040 | |
▼a NLE
▼b eng
▼e rda
▼c NLE
▼d YDXCP
▼d IDEBK
▼d N$T
▼d OCLCF
▼d EBLCP
▼d OCLCQ
▼d 248032 |
| 049 | |
▼a MAIN |
| 050 | 4 |
▼a ML1900 |
| 072 | 7 |
▼a MUS
▼x 042000
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▼a MUS
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▼a MUS
▼x 037110
▼2 bisacsh |
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▼a 782.1/2
▼2 23 |
| 100 | 1 |
▼a Letellier, Robert Ignatius. |
| 245 | 10 |
▼a Operetta :
▼b A Sourcebook, Volume I /
▼c Robert Ignatius Letellier. |
| 264 | 1 |
▼a Newcastle-upon-Tyne :
▼b Cambridge Scholars Publishing,
▼c 2015. |
| 300 | |
▼a 1 online resource (710 pages). |
| 336 | |
▼a text
▼2 rdacontent |
| 337 | |
▼a computer
▼2 rdamedia |
| 338 | |
▼a online resource
▼2 rdacarrier |
| 505 | 0 |
▼a Intro; Table of Contents; Introduction; Acknowledgements; Illustrations; Chronology; 1. French Operetta; 2. Austro-Hungarian Operetta; The Imperial Operetta (1855-1870); The Bourgeois Operetta (1870-1890); Operetta of the Belle-Epoche (1890-1914); The Come?die Musicale (1918-1930); L'Ope?rette Marseillaise (1930-1939) & L'Apre?s-Guerre (1945-1960); The Golden Age (1845-1900); The Silver Age (1900-1930); The Revue-Operetta (1920-1960); Jacques Offenbach (1819); Florimond Ronge? (Herve?) (1825); Alexandre-Charles Lecocq (1832); Cle?ment Philibert Le?o Delibes (1836); Paul Laco?me (1838) |
| 505 | 8 |
▼a Claude-Firman Bernicat (1842)Edmond Audran (1842); Le?on Vasseur (1844); Louis Varney (1844); Gaston Serpette (1846); Jean-Robert Planquette (1848); Victor Roger (1853); Andre?-Charles-Prosper Messager (1853); Louis-Gaston Ganne (1862); Claude-Antoine Terrasse (1867); Henri Christine? (1867); Reynaldo Hahn (1875); Charles Cuvillier (1877); Vincent Scotto (1874); Jo?sef Zygmunt Szulc (1875); Gaston Gabaroche (1884); Henri Goublier (1888); Maurice Yvain (1891); Raoul Moretti (1893); Louis Beydts (1895); Werner Richard Heymann (1896); Roger Dumas (1897); Jean Boyer (1901); Marguerite Monnot (1903) |
| 505 | 8 |
▼a Francis Lopez (1916)Claude-Michel Scho?nberg (1944); Adolf Mu?ller, Sr. (1801); Heinrich Proch (1809); Carl Binder (1816); Franz von Suppe? (1819); Franz Friedrich Richard Gene?e (1823); Johann Strauss II (1825); Adolf Mu?ller, Jr. (1839); Carl Joseph Millo?cker (1842); Alphons Czibulka (1842); Carl Johann Nepomuck Adam Zeller (1842); Karl Michael Ziehrer (1843); Richard Heuberger (1850); Alfred Gru?nfeld (1852); Joseph Hellmesberger (1855); Heinrich Berte? (1858); Karl Rudolf Michael "Charles" Weinberger (1861); Johann Strauss III (1866); Heinrich Reinhardt (1865); Hugo Felix (1866) |
| 505 | 8 |
▼a Georg Jarno (1868)Oscar Straus (1870); Franz Leha?r (1870); Leo Fall (1873); Edmund Eysler (1874); Oskar Nedbal (1874); Fritz Kreisler (1875); Anselm Go?tzl (1876); Emmerich Ka?lma?n (1882); Leo Ascher (1880); Robert Stolz (1880); Ludwig Rochlitzer (1880); Oskar Jascha (1881); Rudi Gfaller (1882); Heinrich Strecker (1893); Jara Benes? (1897); Hanns Jelinek (1901); Frank Fox (1902); Franz Josef Reinl (1903); Josef Beer (1908); Hans Lang (1908); Franz Ferdinand (Ferry) Zelwecker (1911); Igo Hofstetter (1926); Charles Ka?lma?n (1929); Udo Ju?rgens (1934) |
| 506 | |
▼a Owing to Legal Deposit regulations this resource may only be accessed from within National Library of Scotland. For more information contact enquiries@nls.uk.
▼5 StEdNL |
| 520 | |
▼a Operetta developed in the second half of the 19th century from the French ope?ra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between ope?ra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of ope?ras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a sepa. |
| 590 | |
▼a eBooks on EBSCOhost
▼b All EBSCO eBooks |
| 650 | 7 |
▼a Music: styles & genres.
▼2 bicssc |
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▼a Opera.
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▼a Musicals.
▼2 bicssc |
| 650 | 0 |
▼a Operetta. |
| 650 | 7 |
▼a MUSIC / Instruction & Study / Voice
▼2 bisacsh |
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▼a MUSIC / Lyrics
▼2 bisacsh |
| 650 | 7 |
▼a MUSIC / Printed Music / Vocal
▼2 bisacsh |
| 650 | 7 |
▼a Operetta.
▼2 fast
▼0 (OCoLC)fst01046423 |
| 655 | 4 |
▼a Electronic books. |
| 655 | 0 |
▼a Electronic books. |
| 776 | 08 |
▼i Print version:
▼a Letellier, Robert Ignatius.
▼t 'Operetta'.
▼z 9781443866903
▼z 1443866903
▼w (OCoLC)918993693 |
| 856 | 40 |
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1077488 |
| 938 | |
▼a ProQuest MyiLibrary Digital eBook Collection
▼b IDEB
▼n cis32830523 |
| 938 | |
▼a YBP Library Services
▼b YANK
▼n 12642899 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 1077488 |
| 938 | |
▼a EBL - Ebook Library
▼b EBLB
▼n EBL4534897 |
| 990 | |
▼a 관리자 |