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008150803s2015 enk ob 001 0 eng d
019 ▼a 916950573
020 ▼a 9781472570406 ▼q electronic bk.
020 ▼a 1472570405 ▼q electronic bk.
020 ▼z 9781472570383
020 ▼z 1472570383
020 ▼z 9781472570376
020 ▼z 1472570375
020 ▼z 9781472570390
035 ▼a (OCoLC)915346679 ▼z (OCoLC)916950573
040 ▼a N$T ▼b eng ▼e rda ▼e pn ▼c N$T ▼d IDEBK ▼d N$T ▼d CDX ▼d YDXCP ▼d VLB ▼d EBLCP ▼d 248032
049 ▼a MAIN
050 4 ▼a PR6023.A93 ▼b Z6885 2015eb
072 7 ▼a DRA ▼x 003000 ▼2 bisacsh
08204 ▼a 822/.912 ▼2 23
084 ▼a LIT013000 ▼a LIT004120 ▼a PER004030 ▼a PER011020 ▼2 bisacsh
1001 ▼a Moran, James, ▼d 1978-, ▼e author.
24510 ▼a The theatre of D. H. Lawrence : ▼b dramatic modernist and theatrical innovator / ▼c James Moran.
264 1 ▼a London ; ▼a New York : ▼b Bloomsbury Methuen Drama, ▼c 2015.
300 ▼a 1 online resource.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
4901 ▼a Critical companions
504 ▼a Includes bibliographical references (pages 229-238) and index.
5050 ▼a Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication; Epigraph; CONTENTS; FOREWORD; ACKNOWLEDGEMENTS; OVERVIEW; INTRODUCTION THE SIGNIFICANCE OF LAWRENCE'S PLAYS: SHIFTS IN REPUTATION FROM 1930 TO 2014; The dead playwright; Mid-century reassessments; Influence on playwrights; Current status; CHAPTER 1 WRITING LAWRENCE'S PLAYS: BECOMING A DRAMATIST, 1885 TO 1910; Eastwood; Shakespeare; Arthur and Ernest; Sarah Bernhardt; Croydon and Synge; Davidson Road School; W.B. Yeats; CHAPTER 2 THE FRUSTRATION OF STAGING: DRAMATIC STRUGGLES, 1911 TO 1930; Granville Barker
5058 ▼a Edward GarnettRegional repertory theatre; Frieda; The Stage Society; Esme? Percy; Ireland; Farjeon and Goldring; Galsworthy; Another failure; Nottingham; CHAPTER 3 THE DRAMA OF LAWRENCE'S FICTION: PLAYWRIGHT AS NOVELIST; From stage to page; Christmas; G.B. Shaw; Popular theatricals; Esther Andrews; Portable theatre and cinema; Towards a theatre of cruelty; Lawrence's final story; CHAPTER 4 LAWRENCE'S THEATRICAL DEVELOPMENT: REALIST AND EXPERIMENTALIST CROSSCURRENTS; Lawrence the realist?; Ibsen and Strindberg; Hauptmann; Maeterlinck; Italy and Germany; Puebloan ritual; Bertolt Brecht
5058 ▼a The final playJoycean parallels; CHAPTER 5 A DIRECTOR'S PERSPECTIVE: PETER GILL, IN CONVERSATION WITH JAMES MORAN; CHAPTER 6 A PLAYWRIGHT'S PERSPECTIVE; CHAPTER 7 A SCREENWRITER'S PERSPECTIVE; CHAPTER 8 AN INTERCULTURAL PERSPECTIVE; CONCLUSION; LAWRENCE'S THEATRE: A TIMELINE; NOTES; BIBLIOGRAPHY; INDEX
520 ▼a "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage"-- ▼c Provided by publisher.
5880 ▼a Print version record.
60010 ▼a Lawrence, D. H. ▼q (David Herbert), ▼d 1885-1930 ▼x Dramatic works.
60017 ▼a Lawrence, D. H. ▼q (David Herbert), ▼d 1885-1930. ▼2 fast ▼0 (OCoLC)fst00031306
650 7 ▼a LITERARY CRITICISM / Drama. ▼2 bisacsh
650 7 ▼a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. ▼2 bisacsh
650 7 ▼a PERFORMING ARTS / Film & Video / History & Criticism. ▼2 bisacsh
650 7 ▼a PERFORMING ARTS / Theater / History & Criticism. ▼2 bisacsh
650 7 ▼a Criticism and interpretation. ▼2 fast ▼0 (OCoLC)fst01198648
650 7 ▼a DRAMA / English, Irish, Scottish, Welsh ▼2 bisacsh
650 4 ▼a Criticism -- History.
650 4 ▼a Lawrence, D. H. (David Herbert), 1885-1930 -- Dramatic works.
650 4 ▼a Literature -- History and criticism -- Theory, etc.
650 4 ▼a Literature -- Philosophy -- History.
655 4 ▼a Electronic books.
655 0 ▼a Electronic books.
77608 ▼i Print version: ▼a Moran, James, 1978- ▼t The theatre of D. H. Lawrence ▼z 9781472570383 ▼w (DLC) 2015010417 ▼w (OCoLC)898160710
830 0 ▼a Critical companions (Methuen Drama)
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1046744
938 ▼a EBSCOhost ▼b EBSC ▼n 1046744
938 ▼a Ingram Digital eBook Collection ▼b IDEB ▼n cis30431064
938 ▼a Coutts Information Services ▼b COUT ▼n 30431064
938 ▼a YBP Library Services ▼b YANK ▼n 12552150
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL2120190
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994 ▼a 92 ▼b N$T