LDR | | 06087cmm u2200721Ii 4500 |
001 | | 000000309128 |
003 | | OCoLC |
005 | | 20230525120913 |
006 | | m d |
007 | | cr cnu---unuuu |
008 | | 150803s2015 enk ob 001 0 eng d |
019 | |
▼a 916950573 |
020 | |
▼a 9781472570406
▼q electronic bk. |
020 | |
▼a 1472570405
▼q electronic bk. |
020 | |
▼z 9781472570383 |
020 | |
▼z 1472570383 |
020 | |
▼z 9781472570376 |
020 | |
▼z 1472570375 |
020 | |
▼z 9781472570390 |
035 | |
▼a (OCoLC)915346679
▼z (OCoLC)916950573 |
040 | |
▼a N$T
▼b eng
▼e rda
▼e pn
▼c N$T
▼d IDEBK
▼d N$T
▼d CDX
▼d YDXCP
▼d VLB
▼d EBLCP
▼d 248032 |
049 | |
▼a MAIN |
050 | 4 |
▼a PR6023.A93
▼b Z6885 2015eb |
072 | 7 |
▼a DRA
▼x 003000
▼2 bisacsh |
082 | 04 |
▼a 822/.912
▼2 23 |
084 | |
▼a LIT013000
▼a LIT004120
▼a PER004030
▼a PER011020
▼2 bisacsh |
100 | 1 |
▼a Moran, James,
▼d 1978-,
▼e author. |
245 | 10 |
▼a The theatre of D. H. Lawrence :
▼b dramatic modernist and theatrical innovator /
▼c James Moran. |
264 | 1 |
▼a London ;
▼a New York :
▼b Bloomsbury Methuen Drama,
▼c 2015. |
300 | |
▼a 1 online resource. |
336 | |
▼a text
▼b txt
▼2 rdacontent |
337 | |
▼a computer
▼b c
▼2 rdamedia |
338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
490 | 1 |
▼a Critical companions |
504 | |
▼a Includes bibliographical references (pages 229-238) and index. |
505 | 0 |
▼a Cover page; Halftitle page; Series page; Title page; Copyright page; Dedication; Epigraph; CONTENTS; FOREWORD; ACKNOWLEDGEMENTS; OVERVIEW; INTRODUCTION THE SIGNIFICANCE OF LAWRENCE'S PLAYS: SHIFTS IN REPUTATION FROM 1930 TO 2014; The dead playwright; Mid-century reassessments; Influence on playwrights; Current status; CHAPTER 1 WRITING LAWRENCE'S PLAYS: BECOMING A DRAMATIST, 1885 TO 1910; Eastwood; Shakespeare; Arthur and Ernest; Sarah Bernhardt; Croydon and Synge; Davidson Road School; W.B. Yeats; CHAPTER 2 THE FRUSTRATION OF STAGING: DRAMATIC STRUGGLES, 1911 TO 1930; Granville Barker |
505 | 8 |
▼a Edward GarnettRegional repertory theatre; Frieda; The Stage Society; Esme? Percy; Ireland; Farjeon and Goldring; Galsworthy; Another failure; Nottingham; CHAPTER 3 THE DRAMA OF LAWRENCE'S FICTION: PLAYWRIGHT AS NOVELIST; From stage to page; Christmas; G.B. Shaw; Popular theatricals; Esther Andrews; Portable theatre and cinema; Towards a theatre of cruelty; Lawrence's final story; CHAPTER 4 LAWRENCE'S THEATRICAL DEVELOPMENT: REALIST AND EXPERIMENTALIST CROSSCURRENTS; Lawrence the realist?; Ibsen and Strindberg; Hauptmann; Maeterlinck; Italy and Germany; Puebloan ritual; Bertolt Brecht |
505 | 8 |
▼a The final playJoycean parallels; CHAPTER 5 A DIRECTOR'S PERSPECTIVE: PETER GILL, IN CONVERSATION WITH JAMES MORAN; CHAPTER 6 A PLAYWRIGHT'S PERSPECTIVE; CHAPTER 7 A SCREENWRITER'S PERSPECTIVE; CHAPTER 8 AN INTERCULTURAL PERSPECTIVE; CONCLUSION; LAWRENCE'S THEATRE: A TIMELINE; NOTES; BIBLIOGRAPHY; INDEX |
520 | |
▼a "This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage"--
▼c Provided by publisher. |
588 | 0 |
▼a Print version record. |
600 | 10 |
▼a Lawrence, D. H.
▼q (David Herbert),
▼d 1885-1930
▼x Dramatic works. |
600 | 17 |
▼a Lawrence, D. H.
▼q (David Herbert),
▼d 1885-1930.
▼2 fast
▼0 (OCoLC)fst00031306 |
650 | 7 |
▼a LITERARY CRITICISM / Drama.
▼2 bisacsh |
650 | 7 |
▼a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
▼2 bisacsh |
650 | 7 |
▼a PERFORMING ARTS / Film & Video / History & Criticism.
▼2 bisacsh |
650 | 7 |
▼a PERFORMING ARTS / Theater / History & Criticism.
▼2 bisacsh |
650 | 7 |
▼a Criticism and interpretation.
▼2 fast
▼0 (OCoLC)fst01198648 |
650 | 7 |
▼a DRAMA / English, Irish, Scottish, Welsh
▼2 bisacsh |
650 | 4 |
▼a Criticism -- History. |
650 | 4 |
▼a Lawrence, D. H. (David Herbert), 1885-1930 -- Dramatic works. |
650 | 4 |
▼a Literature -- History and criticism -- Theory, etc. |
650 | 4 |
▼a Literature -- Philosophy -- History. |
655 | 4 |
▼a Electronic books. |
655 | 0 |
▼a Electronic books. |
776 | 08 |
▼i Print version:
▼a Moran, James, 1978-
▼t The theatre of D. H. Lawrence
▼z 9781472570383
▼w (DLC) 2015010417
▼w (OCoLC)898160710 |
830 | 0 |
▼a Critical companions (Methuen Drama) |
856 | 40 |
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1046744 |
938 | |
▼a EBSCOhost
▼b EBSC
▼n 1046744 |
938 | |
▼a Ingram Digital eBook Collection
▼b IDEB
▼n cis30431064 |
938 | |
▼a Coutts Information Services
▼b COUT
▼n 30431064 |
938 | |
▼a YBP Library Services
▼b YANK
▼n 12552150 |
938 | |
▼a EBL - Ebook Library
▼b EBLB
▼n EBL2120190 |
990 | |
▼a 관리자 |
994 | |
▼a 92
▼b N$T |