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LDR04087cmm u2200589Ki 4500
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003OCoLC
00520230525120843
006m d
007cr cnu---unuuu
008150422s2015 nyu ob 001 0 eng d
020 ▼a 9781623561154 ▼q electronic bk.
020 ▼a 1623561159 ▼q electronic bk.
020 ▼z 9781623560430
020 ▼z 1623560438
035 ▼a (OCoLC)907773911
035 ▼a 980895 ▼b (N$T)
040 ▼a N$T ▼b eng ▼e rda ▼e pn ▼c N$T ▼d IDEBK ▼d EBLCP ▼d N$T ▼d 248032
043 ▼a e-uk---
049 ▼a N$TA
050 4 ▼a PN1995.3 ▼b .S46 2015eb
072 7 ▼a PER ▼x 009000 ▼2 bisacsh
08204 ▼a 791.43/6 ▼2 23
084 ▼a PER004030 ▼a LIT000000 ▼2 bisacsh
1001 ▼a Semenza, Gregory M. Colo?n, ▼d 1972-
24514 ▼a The history of British literature on film, 1895-2015 / ▼c Greg M. Colo?n Semenza & Robert Hasenfratz.
264 1 ▼a New York ; ▼a London : ▼b Bloomsbury Academic, ▼c 2015.
300 ▼a 1 online resource.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
4900 ▼a The history of world literatures on film
504 ▼a Includes bibliographical references and index.
5058 ▼a Machine generated contents note: -- Chapter 1: 'Weird, Mystical, Barbaric': Brit-lit on Film, 1896-1906 Chapter 2: 'Crude, Vicious, and Lascivious Entertainments': The Arrival of the Brit-lit Film, 1907-1920 Chapter 3: The High Silent Era (1920-1929)Chapter 4: The Talkies (1929-1938) Chapter 5: War and its Aftermath: (1939-1954)Chapter 6: The Legacy of Auteurism: 1954-1970s Chapter 7: The Brit-Lit Film as Genre: 1970s-1989 Chapter 8: Globalism, Independence, and Beyond: 1990-2010.
520 ▼a "From The Death of Nancy Sykes (1897) to The Hobbit: The Battle of the Five Armies (2014) and beyond, cinematic adaptations of British literature participate in a complex and fascinating history. The History of British Literature on Film, 1895-2015 is the only comprehensive narration of cinema's 100-year-old love affair with British literature. Unlike previous studies of literature and film, which tend to privilege particular authors such as Shakespeare and Jane Austen, or particular texts such as Frankenstein, or particular literary periods such as Medieval, this volume considers the multiple functions of filmed British literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In what ways has the British literary canon authorized and influenced the history and aesthetics of film, and in what ways has filmed British literature both affirmed and challenged the very idea of literary canonicity? Seeking to answer these and other key questions, this indispensable study shows how these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history"-- ▼c Provided by publisher.
520 ▼a "A comprehensive history of British literature on film, analyzing the changing cinematic art and politics of adaptation between the years 1896 and 2010"-- ▼c Provided by publisher.
5880 ▼a Print version record.
650 0 ▼a Motion pictures and literature.
650 0 ▼a British literature ▼x Film adaptations.
650 0 ▼a Film adaptations.
650 0 ▼a Motion pictures ▼x History.
650 7 ▼a PERFORMING ARTS / Film & Video / History & Criticism. ▼2 bisacsh
650 7 ▼a LITERARY CRITICISM / General. ▼2 bisacsh
650 7 ▼a PERFORMING ARTS / Reference ▼2 bisacsh
655 4 ▼a Electronic books.
7001 ▼a Hasenfratz, Robert J., ▼d 1957-
77608 ▼i Print version: ▼a Semenza, Gregory M. Colo?n, 1972- ▼t History of British literature on film, 1895-2015 ▼z 9781623560430 ▼w (DLC) 2015000517 ▼w (OCoLC)856976761
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=980895
938 ▼a EBSCOhost ▼b EBSC ▼n 980895
938 ▼a Ingram Digital eBook Collection ▼b IDEB ▼n cis31453106
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL2030092
990 ▼a 관리자
994 ▼a 02 ▼b N$T