| LDR | | 05253cmm u2200481Mu 4500 |
| 001 | | 000000309058 |
| 003 | | OCoLC |
| 005 | | 20230525120719 |
| 006 | | m d |
| 007 | | cr cnu---unuuu |
| 008 | | 140830s2014 xx o 000 0 eng d |
| 020 | |
▼a 9781317692652 (electronic bk.) |
| 020 | |
▼a 1317692659 (electronic bk.) |
| 035 | |
▼a (OCoLC)889674851 |
| 035 | |
▼a 835157
▼b (N$T) |
| 040 | |
▼a EBLCP
▼b eng
▼c EBLCP
▼d N$T
▼d 248032 |
| 049 | |
▼a N$TA |
| 050 | 4 |
▼a TR860 .B76 2014 |
| 072 | 7 |
▼a ART
▼x 057000
▼2 bisacsh |
| 072 | 7 |
▼a PHO
▼x 022000
▼2 bisacsh |
| 082 | 04 |
▼a 777.6
▼a 777/.6 |
| 100 | 1 |
▼a Brown, Blain. |
| 245 | 14 |
▼a The Filmmaker's Guide to Digital Imaging
▼h [electronic resource] :
▼b for Cinematographers, Digital Imaging Technicians, and Camera Assistants. |
| 260 | |
▼a Hoboken :
▼b Taylor and Francis,
▼c 2014. |
| 300 | |
▼a 1 online resource (310 p.) |
| 500 | |
▼a Description based upon print version of record. |
| 505 | 0 |
▼a Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Introduction; Sensors & Cameras; The Digital Signal Path; HD and UHD; Viewing Stream; OLPF; Digital Sensors; Photosites; Demosaicing/DeBayering; How Many Pixels Is Enough?; What Color Is Your Sensor?; Sensor Size and Depth-of-Field; Shutters; Noise; ISO In Digital Cameras; IR and Hot Mirror Filters; The Digital Image; Cookie Dough and the History of HD; Digital Negative; Chroma Subsampling; Types of Video; Frame Rates; A Little Math Review; Measurement; Measuring the Image; The Waveform Monitor; Test Methodology |
| 505 | 8 |
▼a Hue/PhaseThe Vectorscope; Color Bars in Detail; Types of Waveform Monitors; Using the Waveform On Set; Using the Vectorscope On the Set; Video Test Cards; Calibration Test Charts; Measuring Image Resolution; Linear, Gamma, Log; Dynamic Range; Linear Response; Film Gamma and Video Gamma; Rec.709; The Code 100 Problem; Gamma Control In Traditional HD; Another Approach; The Inefficiency of Linear; Log Encoding; Proprietary Log Curves; 18% Gray In Log; Picture Rendering; Exposure; Exposure Theory; The Response Curve; Video Exposure; The Tools; A Different World of Exposure |
| 505 | 8 |
▼a Setting Exposure With the Waveform MonitorCamera Exposure Indicators; Philosophy and Strategy of Exposure; Black Magic Camera Exposure Advice; HDR; Digital Color; The Visual Interface; Color Models; The CIE Diagram; Gamut; Video Color Spaces; AMPAS ACES Color Space; Color Transforms; The Matrix; Metamerism; Codecs & Formats; Video File Formats; Wrappers, Stacks, Containers and Codecs; Digital Compression Codecs; Types of Compression; Codecs; Compression Technologies; Floating Point; Compression Artifacts; Image Control & Grading; At the DIT Cart; Color Correction and Color Grading |
| 505 | 8 |
▼a Controllers and Control SurfacesControl Parameters; Color Space; Color Control; Vectors; Exporting and Reusing Grades; LUTs And Looks; Viewing LUTs; LUTs and Looks: What''s the Difference?; Poynton''s Fourth Law; The DIT Cart; Things To Think About In Planning a Cart; Mobility; Power; Video and Data Cables; Moving Around On The Set; Failover; Rack Mount; Data Management; Data Management; Basic Principles; Procedure -- Best Practices; Logs; File Management; File Naming; Download/Ingest Software; Proprietary Data Management Software; External Recorders; Hard Drives & RAIDS |
| 505 | 8 |
▼a How Much Storage Do You Need?Long Term Storage; Moving The Data; Workflow; The Digital Camera Crew; The Job of the DIT; Working With the DP; The Meeting; DIT Workflow; Interfacing With Other Departments; Monitor Outputs; Deliverables; Files For Post and VFX; Camera Specific Workflows; Industry Standard Workflows; Ten Numbers: ASC-CDL; ACES: What It Is, What It Does; The History of ACES; The Transforms; Metadata & Timecode; What is Timecode?; Other Types of Metadata; XML; Metadata From Rigs; Metadata at the DIT Cart; References; Acknowledgements; Acknowledgements; About the Author; Index |
| 520 | |
▼a It's a whole new world for cinematographers, camera assistants, and postproduction artists. New equipment, new methods, and new technologies have to be learned and mastered. New roles such as that of the DIT (Digital Imaging Technician), Digital Loader, and Data Manager are integral to today's motion picture production process. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from esteemed author and filmmaker Blain Brown.The Filmmaker's Guide to Digital Imaging covers both the theory and the practice, featuring full-color, in-depth c. |
| 650 | 4 |
▼a Digital cinematography. |
| 650 | 0 |
▼a Digital cinematography. |
| 650 | 7 |
▼a ART / Film & Video
▼2 bisacsh |
| 650 | 7 |
▼a PHOTOGRAPHY / Techniques / Cinematography & Videography
▼2 bisacsh |
| 655 | 4 |
▼a Electronic books. |
| 776 | 08 |
▼i Print version:
▼a Brown, Blain
▼t The Filmmaker's Guide to Digital Imaging : for Cinematographers, Digital Imaging Technicians, and Camera Assistants
▼d Hoboken : Taylor and Francis,c2014
▼z 9780415854115 |
| 856 | 40 |
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=835157 |
| 910 | |
▼a cpp1723AUTO |
| 938 | |
▼a EBL - Ebook Library
▼b EBLB
▼n EBL1770552 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 835157 |
| 990 | |
▼a 관리자 |
| 994 | |
▼a 02
▼b N$T |